1. Lola Dakota, the murder victim in THE DEADHOUSE, is a smart, ambitious woman -- even self-serving, her detractors say. Why does a woman like this keep going back to an abusive husband? How do you make sense of this kind of love-hate relationship, as Alexandra Cooper describes it? 2. Although Alex is primarily a sex crimes prosecutor, she is intimately involved in Lola Dakota's murder case. How does her position make her different from other investigators? What unique insights and techniques does she bring to the table? 3. How would you describe Alex's developing relationship with Jake Tyler? Why is she reluctant to move in with him? 4. After having refused repeated entreaties to prosecute her abusive husband, Lola agreed instead to stage her own murder in order to set him up. Why do you think that this particular plan appealed to her? 5. Early in the story, Mike Chapman reproaches Alex for not having a more traditional life. They've been close friends for many years -- why is he so insistent now that Alex settle down, start a family? 6. How does the subplot of Shirley Denzig, a young woman stalking Alex, fit into the larger story? Do you think that it will be resolved in a later novel? 7. When Jake tells Alex that she doesn't let people in easily, she responds that she is often too trusting of people and has been disappointed in the past. Do you agree with Jake's assessment? If you've read other Alex Cooper novels, can you think of instances in which she's been disappointed by people she trusted? 8. Do you think Mercer Wallace's renewed relationship with his ex-wife Vickee will change his partnership and friendship with Alex and Chapman? How has being shot has affected him? 9. Describe the world of academia that emerges in this novel. How accurate do you think this portrayal is? What motivates each of Lola's colleagues: Lavery, Shreve, Lockhart, Foote, Grenier? 10. After her argument with Jake, Alex wonders why she wasn't content to just stay and talk things through with him. Why do you think that she didn't? Similarly, why does she run first to Chapman, and why does she assume that he'll always be available to her? 11. Why do you think Chapman kept his new relationship a secret from Alex? What does this relationship tell us about him? 12. How does learning about the history of a place like Roosevelt Island add to your understanding of New York, and what does it add to the novel as a whole? 13. Chapman tells Alex that she's "the luckiest girl" he knows (p. 400), a phrase that pops back into her head later when she is in grave danger. What do you think that he means? Do you agree with him?
By Lee Child, Joseph Finder, Steve Martini, Heather Graham, Ian Rankin, Linda Fairstein, M. J. Rose, R.L. Stine, Raymond Khoury, Linwood Barclay, John Lescroart, Michael Connelly, T. Jefferson Parker, F. Paul Wilson, Peter James, John Sandford, Lisa Gardner, Dennis Lehane, Steve Berry, Jeffery Deaver, Douglas Preston, Lincoln Child, and James Rollins
Linda Fairstein was chief of the Sex Crimes Unit of the district attorney’s office in Manhattan for more than two decades and is America’s foremost legal expert on sexual assault and domestic violence. Her Alexandra Cooper novels are international bestsellers and have been translated into more than a dozen languages. She lives in Manhattan and on Martha’s Vineyard.