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Published by 2000 AD
Distributed by Simon & Schuster
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A collection of astounding and entertaining short comics stories from some of the biggest names in comics, inclusing, Neil Gaiman, Grant Morrison, Peter Milligan Mark Millar and many more.

Future Shocks – the testing ground for those who wish to work for the Galaxy’s Greatest Comic, 2000 AD. Most never make it to publication. But for the lucky few who manage to harness enough Thrill-Power to produce these mini sci-fi classics, fame and notoriety awaits!

This anthology of supreme sci-fi and horror storytelling features the work of the industry’s greatest talents, including Brian Bolland, Kevin O’Neill, Alan Grant, Peter Milligan, Steve Dillon, Glenn Fabry, Frazer Irving, Mark Millar, Alan Davis, John Higgins, Brendan McCarthy, Grant Morrison and Neil Gaiman amongst many others.

With over 300 2000 AD stories to his name – not to mention over 250 Daily Star Judge Dredd strips – Alan Grant’s prolific creative record speaks for itself. Outside the Galaxy’s Greatest Comic, Grant is well-known to Batman fans following a lengthy run on various incarnations of the title. More recently he has adapted Robert Louis Stevenson’s classic novels Kidnapped and Doctor Jekyll and Mr Hyde in Graphic Novel format with artist Cam Kennedy.

Kevin O’Neill is a 2000 AD legend. From working as an art assistant on the very first prog, he quickly became involved in the creative side of the comic, co-creating classics like A.B.C. Warriors, Bonjo From Beyond The Stars, Metalzoic and Nemesis the Warlock. O’Neill has also written for the comic on strips including Dash Decent, Future Shocks, One-Offs, Tharg the Mighty, and has illustrated Future Shocks, Judge Dredd, M.A.C.H. 0, One-Offs, Ro-Busters, Ro-Jaws’ Robo-Tales, Tharg the Mighty and Torquemada. Outside the Galaxy’s Greatest Comic, O’Neill was briefly notorious as the only artist ever to have his work rejected wholesale by the Comics Code Authority! Happily, his notoriety quickly became fame and acclaim, as his work on strips like Marshal Law and most recently The League of Extraordinary Gentlemen have raised him to a very high profile. O’Neill’s other work includes Green Lantern and Batman.

Perhaps the most popular 2000 AD artist of all time, Brian Bolland’s clean-line style and meticulous attention to detail ensure that his artwork on strips including Dan Dare, Future Shocks, Judge Dredd and Walter the Wobot looks as fresh today as it did when first published. Co-creator of both Judge Anderson and The Kleggs, Bolland’s highly detailed style unfortunately precluded him from doing many sequential strips — although he found the time to pencil both Camelot 3000 and Batman: The Killing Joke for DC Comics.

Richard Elson’s first 2000 AD work was on a Future Shock way back in 1988, and since then he has pencilled Judge Dredd, Time Twisters, Terror Tales and Tyranny Rex, as well as the co-created strips Atavar, Roadkill, Shadows, The Scrap, A.H.A.B., Go-Machine and Kingdom. He has also worked for Marvel Comics on Thor, Morbius: The Living Vampire, Amazing Spider-Man, Journey Into Mystery, X-Force, Revolutionary War and Marvel Zombies.

Frazer Irving is without question one of 2000 AD’s brightest new stars. His distinctive style, both on co-created strips like A Love Like Blood, Necronauts and Storming Heaven, as well as on Judge Dredd, Judge Death, Future Shocks, Terror Tales, Tharg the Mighty, The Scarlet Apocrypha and Sinister Dexter, have quickly brought him to the attention of the US industry. Irving recently completed both Klarion the Witch-boy for DC Comics and Iron Man: Inevitable for Marvel comics. Amongst other things he is currently working on Gutsville with Simon Spurrier, published by Image Comics.

John Higgins is a multi-talented 2000 AD artist and writer; as well as scripting a Future Shock and Judge Dredd, Higgins has illustrated Chopper, Freaks, One-Offs, Tharg the Mighty and Time Twisters. His work outside the Galaxy’s Greatest Comic is also highly respected, and he has contributed to some of the most important series of recent times, including working as a colourist on the modern superhero classic Watchmen, and on Vertigo’s Animal Man, Hellblazer and Pride and Joy.