A heart at peace gives life to the body, but envy rots the bones.
Gabrielle Wilson has the perfect life: a Beverly Hills mansion, a loving family, and a massively successful PR firm. When her father admits that an affair he had years before resulted in a daughter, Gabrielle is shocked, but is actually happy. Could this be the sister she has been praying for all her life?
Keisha Jones’s life is a struggle. Her late mother worked on the streets, and school was its own nightmare. When Gabrielle offers to fly Keisha out of Arkansas to meet the family, Keisha instantly agrees. But Gabrielle doesn’t realize that Keisha has known about the Wilsons for years. Keisha is determined to have everything she has always envied, and nothing can stand in her way.
Includes a reading group guide with an author Q&A and discussion questions for book clubs.
Those words played in my mind as I stared at my mama’s photo, then pressed the picture frame against my chest.
My mama was a whore and that was what killed her.
I held no judgment about how my mama lived. From the time I was a little girl, I knew Daisy Jones was a hustler, doing whatever she had to do to put a roof over us and food inside of us. So I could never judge a woman who took care of more than her business, she took care of her child.
Daisy Jones was more than my mother, she was my mama, and there is a difference. It was my mama that I loved, not the woman who serviced men at the truck stop right off I-530.
And anyway, what else was she supposed to do, having been born in White Haven, Arkansas, all the way back before the millennium became new? Not that I had any issues with my hometown or with 1977, the year my mama was born. It was just a fact that if you were a black girl with only a middle school education, your choices were limited to cleaning somebody’s house, frying somebody’s fish, or going for that higher hourly position turning tricks.
My mama went for the dollars, and again, no judgment. Because if she hadn’t worked hard for that money, I would never have been born.
Whatever she did, at least she worked until she couldn’t. At least she kept a roof over my head until now.
Pulling the picture away from me, my fingers traced the outline of her jaw. If I closed my eyes again, I was sure I would be able to see her, feel her. Because she had just been here yesterday.
I swept my fingers over the glass frame as if I were combing her hair. Her beautiful hair, which was poofed into an Afro, silver, even though she was only forty.
I guess that was what a hard life did to you. Turned your outside old and your insides out before it was your time.
I faced the voice and the nurse standing in the doorway. She wore flowered scrubs again; today, they were blue. And she wore the same tight-lipped smile she’d been giving me all week. I gave that smile right back to her, even though I suspected hers was sincere. Mine was only proof that for everything Daisy had done wrong, she’d done her best to raise me right.
“You good?” Nurse Burns asked me.
Again, because I’d been raised right I didn’t tell Nurse Burns she’d just asked the stupidest question in the history of stupid questions. How could I be good when my mom had died less than three hours ago? So instead of cussing her out, I turned back to my mama’s bathrobe, which I’d just folded.
While the nurse stood not saying a word, I reached for Mama’s comb and brush. Next, I went for the plastic case that held my mama’s dentures, but the nurse said, “Don’t take those.”
I tilted my head. I wasn’t sure what I was going to do with the teeth for the bottom left side of her mouth. I didn’t know if I wanted to keep them as some kind of memento that my mama had half a mouth of fake teeth—yeah, at forty.
The nurse walked over to the table and handed me Mama’s toothbrush.
Really? She didn’t want me to keep her teeth, but she was giving me her toothbrush?
She said, “The administrator has some papers for you.”
I wondered what kind of papers were needed for death.
Nurse Burns must’ve seen the question on my face because she explained, “You have to sign where you want them to take your mother.”
Take her? “What?” I frowned.
“Which funeral home?” Her tone sounded like she thought I was slow. “I was thinking you wanted her over at Brown’s, but you have to sign the papers and tell them that.”
I paused. “If I take her to Brown’s, won’t I have to give them some money?”
She nodded and then she stared as if she were trying to figure me out. Well, it was my turn to explain some things to her. “I don’t have any money.”
“You don’t have to use your own money. The insurance will take care of this.”
For a second, I waited for her to laugh, and when she didn’t, I did. “My mama didn’t have no insurance. She didn’t even have medical insurance.”
“What about relatives? Or your church? Surely there are people who will help bury your mother.”
That only made me laugh harder. People who would help me? I guess since she didn’t live in White Haven, she didn’t know my life. “Look, I don’t have no money, I don’t have no insurance, I don’t have no friends. So the people here, they’re gonna have to bury her.”
Her eyes widened. “No, Keisha, you don’t want to do that. You want to give your mother a proper burial. If you leave her here, and leave her to the state”—she lowered her eyes, shook her head—“you’ll never know what happened to her.”
“I know what happened to her.” I paused. “She died.” And then, I went right back to doing what I’d been doing before the nurse interrupted me with this foolishness. It wasn’t that I didn’t love my mama—I loved her lots. But with her death, we had parted.
Looking at my mama’s robe, I gathered the comb and brush, her dentures and toothbrush into the center. With the exception of a few things she’d left at home, this was all my mama had in the world.
“Let me get you something to carry that out.”
“Nah, I’ll carry everything in this.” I folded my mama’s worldly possessions inside the robe, then pressed the bundle to my chest.
I nodded at the nurse, pursed my lips again into that tight smile, and walked past her.
She said nothing until I was at the door. “Keisha, wait.”
Turning, I faced her and stared as she held up the book in her hand. “You forgot this.”
I started to shake my head, but one of the things I’d learned about Nurse Burns over the weeks of my visits to this hospice was that she was one of those pushy broads who kept talking until someone shut her up. So instead of saying what I wanted to say, I decided I could show her better than I could tell her.
I tucked my mama’s bathrobe bundle under my arm, then took quick steps to Nurse Burns. My eyes were on hers when I grabbed Mama’s Bible and my eyes stayed locked with hers when I dumped the book into the trash next to where my mama had laid her head.
Nurse Burns gasped, and stumbled back and away, like she thought lightning might be about to strike.
I almost laughed, though I didn’t because I pitied her more than I found her funny. So I said, “Bye,” and turned.
But when Nurse Burns called my name again, I whipped around. “What? I’m not taking the Bible.”
She shook her head, swallowed, and pointed to the other picture that Mama had brought to the hospice with her. The picture that I always kept away from my glance.
“What . . . what . . . about . . . this?” She sounded as if she were afraid of me now. As if my blasphemy might be contagious and it was an illness she didn’t want to catch.
I was pissed, but I couldn’t take that out on Nurse Burns. How would she know that photo wasn’t really a photo, but a dagger that sliced my heart?
I shook my head, but then, Nurse Burns got her groove back. Because even though I’d threatened her life by tossing that Bible into the trash, she still lifted the picture and held it toward me. She was doing that pushy thing again, and now, because she hadn’t left it alone, she was ’bout to get her feelings hurt—again.
That meant I had to walk across the room once more, though this time, I didn’t look at Nurse Burns. My glance was somewhere over her shoulder, looking out the window—my insurance that my eyes wouldn’t drop to the picture by accident.
I grabbed the frame, and with my gaze still somewhere on the horizon, I tossed the picture to the right.
My aim was great. The photo landed with a thump. Right on top of the Bible. Right in the trash, where they both belonged.
Again, Nurse Burns gasped, but this time there was more sadness than shock in her sound. And this time, when I walked to the door, I made my way all the way through because Nurse Burns didn’t have another word to say to me.
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This reading group guide forEnvy includes an introduction, discussion questions, ideas for enhancing your book club, and a Q&A with author Victoria Christopher Murray. The suggested questions are intended to help your reading group find new and interesting angles and topics for your discussion. We hope that these ideas will enrich your conversation and increase your enjoyment of the book.
Keisha Jones is living out of her car. Her mother, who worked as a prostitute throughout her life in order to support them both, has recently passed away, and with no money to pay the rent at the home they shared, Keisha seems to have hit a dead end. Worse still, her every thought is interrupted by repeated memories of a secret childhood trauma. So when a glamorous woman shows up at the salon in Arkansas where she works and surprises Keisha with an invitation to travel to Los Angeles to meet her sister, Gabrielle, Keisha is more than ready to go, even if she doesn’t care much for the messenger. While Gabrielle has only recently learned that she has a sister born from an affair her father had while on the road, Keisha has known all about her sister—and (thanks to Instagram) her sister’s glamorous life with a successful career in public relations, a mansion, and a beautiful husband and child—for some time. When Keisha finally sees it all with her own eyes, she becomes obsessed with plans to claim everything that she believes should have been hers—but how far will envy take her? In this second novel of the Seven Deadly Sins series, the author exposes the toxicity of envying what others have while revealing the importance of family and community and the healing power of love and forgiveness.
1. When Gabrielle’s father asks her to come over at the start of the story, how does Gabrielle respond to what he tells her? Were you surprised by her reaction to the news he shares? Why or why not?
2. When Regan finds Keisha at the salon in Arkansas, what does Keisha say during their conversation that causes Regan to be suspicious of her? Keisha seems aware of how Regan feels in this moment, so why doesn’t Keisha explain herself?
3. How do Regan and Mauricio react to the news that Gabrielle has a sister and that she is coming to Los Angeles? What suggestions do they give Gabrielle? Why do you think their reaction is so different from Gabrielle’s? Whom do you agree with?
4. What did Keisha’s mom, Daisy, tell her as a child when she asked who her father was? Why do you think Daisy acted this way? How did Keisha find out the identity of her father? How did this journey to discover the truth and the knowledge of her father’s identity ultimately shape her life?
5. Why does Keisha feel indebted to Buck? How did the two meet? Would you say that they have a good relationship? Why or why not?
6. Consider how the novel paints a picture of sisterhood—both figurative and familial. How would you say that the novel defines sisterhood? What does it mean to be sisterly?
7. Keisha endures two major traumas throughout the book: years of abuse and an unspeakable loss. Why do you think that Keisha doesn’t share her secrets with anyone in her life? What might have allowed Keisha to feel more empowered to seek help and escape the abuse? How do these traumas affect her years later?
8. What does the Wilson family’s pastor say is the difference between envy and jealousy? Who in the congregation believes that this message is for them and what effect does it have?
9. Gabrielle’s relationship with Justus causes ongoing tension with her husband, Mauricio. Do you believe that Mauricio is simply envious of Justus or do you agree with his point that Gabrielle prioritizes her work above her family? What causes Mauricio to feel the way that he does about Gabrielle’s relationship with Justus? What does he propose will solve the problem and keep their marriage intact? Is it a good solution?
10. Consider how the book creates a dialogue around the theme of forgiveness. What examples of forgiveness are found in the book? What moves the characters to forgive one another—and themselves? Alternatively, what keeps or delays the characters from forgiving?
11. Daisy, Keisha, Gabrielle, and Regan all have very different ideas about motherhood and what it means to be a good mother. How do their motherhood styles differ? How are they similar? How does Keisha’s relationship with her daughter, and the tragedy that follows, shape her view of mothers?
12. What happens at Keisha’s sentencing? Were you surprised by the statements made by Regan and Gabrielle? Why or why not? Does Keisha ultimately show any remorse for her actions?
13. Did your feelings toward Keisha change after reading the final scenes of the novel? Why or why not? Do you feel empathy for her? How do you think her life will change after the sentencing?
Enhance Your Book Club
1. Have you ever experienced envy? What is something that you have felt envious of? Discuss how envy affected your life and sense of self. Did it affect anyone else? How did you overcome the feeling?
2. Read Lust, the first book in the author’s Seven Deadly Sins series, and compare and contrast it with Envy. What themes do the two novels share? What do the characters have in common? Are the characters ultimately able to avoid or overcome the sin that is central to each story? If so, how?
3. Visit the author’s website at http://victoriachristophermurray.com to learn more about her and her more than twenty novels, including the NAACP Image Award–winning Stand Your Ground and the popular Jasmine Cox Larson Bush series.
A Conversation with Victoria Christopher Murray
What inspired you to write the Seven Deadly Sins series? Have you decided which sin you will write about next? Is there one sin that you feel most excited to write about?
Actually, another author suggested this to me years ago. And after I wrote Stand Your Ground, I needed to write a book that was very different from that one because it was tough to face the blank page after that. I thought about Lust, which I’d started years before and, with my agent and editor, decided to pursue the deadly sins series.
Why did you decide to tell Envy from two points of view rather than one?
I decided to write Envy from two points of view because I learned that the definition of envy usually involves two people. I was fascinated by that discovery and decided to approach the novel that way.
Did you find that you related to any particular character in Envy more than the others? If so, why?
Hmmm . . . that’s a good question. I really liked both Gabrielle and Keisha. Keisha had suffered so much loss in her life, yet she was surviving. And I loved the way Gabrielle reacted to having a sister. She opened her heart, following the example of her father—there were no strings, it was completely unconditional. I loved that. However, I really liked the feistiness and protectiveness of Regan. She’s a true friend.
Gabrielle and Mauricio are moved by the pastor’s sermon about envy and jealousy, which they feel is a message to them. Have you ever been moved by a message in this same way that felt very personal for you?
Oh my goodness! I don’t know anyone who’s been to church and hasn’t been moved by a service, thinking the message is just for them. I remember vividly sitting in the pews one Sunday in Los Angeles and my mouth being wide open. I had no idea how my pastor had gotten into my life that way but I wanted her out! LOL! No, personal messages are very good things. I think God meets all of us where we are.
Have you ever struggled with envy in your own life? If so, how did you overcome it?
When I was a little girl, my father told me to never compete with anyone else. He told me that if I did that, I’d never be my best because competing with someone else could hold me back. He said always make my today better than yesterday and work on making my tomorrow great. And then, if that wasn’t enough to keep me on the right track, when I found out in Sunday school that envy killed Jesus, I don’t think I’d ever been more afraid—I never wanted to have that in my heart. I’ve tried really hard to live without envy and I think I have. I have been accused of being envious once, and I prayed and really searched my heart to see if that was true. It wasn’t. I haven’t always gotten things right, but I’ve been able to keep envy from my heart.
A major theme of the book is sisterhood. Do you have any sisters or sister-friends? Who are some of your favorite examples of sisters or sister-friends? What would you say defines sisterhood?
I have three sisters—Michele, Lucia, and Cecile—and while I’ve always been close to my sisters, we’ve become so much closer since my mom passed away. That has been the only blessing of her passing and I know my mom (and dad) is really happy about that. She’d want us to look out for one another and we have done that. My closest sister-friend is ReShonda Tate Billingsley. I have a true sister relationship with her because we’ve been through everything together. She doesn’t judge me; I don’t judge her. We understand that we both have good days and bad. (Though she needs coffee every day!) And she’s been a great sister-friend because we can work for hours together and then go right out after that and play. (And who else but a sister-friend would take you to her family reunion in Smackover, Arkansas?) There is no one in my life that I laugh with more than ReShonda.
Who are some of the contemporary storytellers that you find most inspiring or compelling today and why?
I think my three favorite contemporary authors are Eric Jerome Dickey, Bernice McFadden and Tayari Jones. These are authors that I’ve held up to others as examples of who I want to be when I grow up. Not only are they great storytellers, but the beauty of their writing—there is music in their manuscripts and my challenge with getting through their books is that I read sentences over and over again. I read their work and I’m inspired to write.
What was the biggest challenge in writing Envy and how did you overcome it?
This was a story I wanted to write, so it wasn’t hard to get the story to unfold—except my mom passed away right in the middle of me writing this story. It is hard to write through tears and heartache. But the good thing about having a deadline like this while I was grieving was that it kept me out of bed . . . Not completely, but enough so that by the time I finished Envy, I felt like I could breathe a bit more. But it was tough.
Can you tell us about some of the projects that you are currently working on? What can your readers look forward to next?
I am more than halfway finished with Greed which is the next book in the series. The first three books—Lust, Envy, and Greed—have been optioned to become movies, so we’ll see what happens with that, but it’s exciting. And I plan on writing all seven of the seven deadly sins.
Victoria Christopher Murray is the author of more than twenty novels including: Envy;Lust;The Ex Files; Lady Jasmine; The Deal, the Dance, and the Devil; and Stand Your Ground, which was named a Library Journal Best Book of the Year. Winner of the African American Literary Award for Fiction and Author of the Year (Female), Murray is also a two-time NAACP Image Award Nominee for Outstanding Fiction. She splits her time between Los Angeles and Washington, DC. Visit her website at VictoriaChristopherMurray.com.
“[Envy] captures the drama of The Real Housewives of Beverly Hills while also bringing this well-developed work of urban fiction to a satisfyingly redemptive conclusion.” —Kristina Giovanni, Booklist
Praise for LUST
"Murray has penned hot, steamy scenes in which her protagonist’s imagination runs wild, followed by the consequences of her realizing her dangerous dreams. A jarring twist at the end has the reader wondering who the good guys really are." —Booklist (starred review)
"Murray mixes quite a bit of passion, a touch of treachery, and some good old-fashioned revenge."
– Library Journal
"A topsy-turvy tale of passion on steroids."
– Essence Magazine
Praise for STAND YOUR GROUND
"Stand Your Ground by Victoria Christopher Murray is a fact-to-fiction examination of the human condition. Using a vivid, realistic premise, she takes a 360-degree view to bring all sides to the forefront for us to enjoy, learn from, judge and celebrate. . . . The characters draw us in for debate and conversation long after the final sentence. Stand Your Ground has great literary relevance for our time."
– USA Today
“Murray, winner of several African American Literary Awards for fiction, powerfully captures the nuances and tragedies engendered by stand-your-ground laws. A must-read.”
– Booklist (starred review)
"Murray has written a tension-packed novel around the hot-buzz national topic of an unarmed black youth shot by a white male, an act then subjected to the Stand Your Ground rule as a legal defense tactic. . . . Murray’s writing admirably shows the often overlooked human emotions following racial violence. . . . The pulled-from-the headlines storyline will captivate readers."
– Library Journal (starred review)
“With artful descriptions, Victoria put me inside their hearts and minds. I did not just enjoy this read, I lived it."
– Michelle Lindo Rice, author of the Able To Love series
Praise for FOREVER AN EX
"Murray spices up her story line with plenty of juicy scandals. . . . Readers seeking an emotional tale with broad themes of trust, betrayal, and forgiveness will do well by choosing Murray's latest effort."
– Library Journal
Praise for NEVER SAY NEVER
“Murray creates a believable scenario of two people who never wanted to hurt their friends…. With extremely well-drawn characters, the story offers neither blame nor excuses, keenly depicting the heartbreaks caused by both death and betrayal.”
– Publishers Weekly
“Readers, be on the lookout for Victoria Christopher Murray’s Never Say Never. You’ll definitely need to have a buddy-reader in place for the lengthy discussion that is bound to occur."
– USA Today
“Never Say Never is a testament to the magnificence of Murray’s storytelling gift! The author creates a surprisingly satisfying ending for each of the characters, even when their ‘sin’ seems unforgivable.”
– RT Book Reviews
Praise for THE EX-FILES
“The Ex Files is a moving-on song in four-part harmony.”
– Donna Grant and Virginia DeBerry, authors of Tryin’ to Sleep in the Bed You Made
“Once again, Victoria Christopher Murray has crafted a compelling, intriguing, and page-turning story that stays with you long after you’ve finished the book. This wonderful tale of four different women from vastly different backgrounds shows how we can all be bound by the common thread of faith.”
– ReShonda Tate Billingsley, author of Everybody Say Amen and I Know I’ve Been Changed
“My girl, Victoria Christopher Murray has done it again! I love her work and this book will bless you, so read it.”
– Michele Andrea Bowen, author of Church Folk, Second Sunday, and Holy Ghost Corner
Praise for THE DEAL, THE DANCE, AND THE DEVIL
“I think I've found a new author to add to my list of favorites. . . . Murray knows how to tell a story.I can't wait to read other books by this author.”
– Debbie Norrell, New Pittsburgh Courier
“Murray’s characters are extremely likable. . . .This page-turning take on the Faustian theme should satisfy fans and newcomers alike.”
– WalMart BookPage
Praise for SINS OF THE MOTHER
"Victoria is an exceptional writer who knows how to deliver a story."
– Kimberla Lawson Roby, author of Changing Faces
"Murray has always impressed me with her ability to live the life of her characters and make them come alive with each turning page."
– Indianapolis Recorder
Praise for LADY JASMINE
“Realistic characters and a likable heroine make this title a winner for Murray’s strong following.”
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More books from this author: Victoria Christopher Murray