NAMED A BEST BOOK of the YEAR by O, THE OPRAH MAGAZINE, REFINERY 29, andKIRKUS REVIEWS SHORTLISTED FOR THE CENTER FOR FICTION FIRST NOVEL PRIZE
A “wondrous,” (O, The Oprah Magazine) “scathingly funny” (Entertainment Weekly) debut from Whiting Award winner Jen Beagin about a cleaning lady named Mona and her quest for self-acceptance and belonging after her relationship with a loveable junkie goes awry.
Jen Beagin’s funny, moving, fearless debut novel introduces an unforgettable character, Mona—almost twenty-four, emotionally adrift, and cleaning houses to get by. Handing out clean needles to drug addicts, she falls for a recipient she calls Mr. Disgusting, who proceeds to break her heart in unimaginable ways.
Seeking a kind of healing, she decamps to Taos, New Mexico, for a fresh start, where she finds a community of seekers and cast-offs, all of whom have one or two things to teach her—the pajama-wearing, blissed-out New Agers, the slightly creepy client with peculiar tastes in controlled substances, the psychic who might really be psychic. But always lurking just beneath the surface are her memories of growing up in a chaotic, destructive family from which she’s trying to disentangle herself, and the larger legacy of the past she left behind.
The story of Mona’s quest for self-acceptance in this working class American world is at once hilarious and wonderfully strange, true to life and boldly human, and introduces a stunning, one-of-a-kind new voice in American fiction.
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This reading group guide for Pretend I’m Dead includes an introduction, discussion questions, and ideas for enhancing your book club. The suggested questions are intended to help your reading group find new and interesting angles and topics for your discussion. We hope that these ideas will enrich your conversation and increase your enjoyment of the book.
Mona—almost twenty-four, emotionally adrift, and cleaning houses to get by—meets Mr. Disgusting, a drug addict who proceeds to break her heart in unimaginable ways. In search of healing, Mona decamps for Taos, New Mexico, where she finds a community of seekers and castoffs, all of whom have one or two things to teach her—the pajama-wearing, blissed-out New Agers; the slightly creepy client with peculiar tastes in controlled substances; the psychic who might really be psychic. But always lurking just beneath the surface are her memories of growing up in a chaotic, destructive family from which she’s trying to disentangle herself, and the larger legacy of the past she left behind.
Topics & Questions for Discussion
1. Beagin is a former cleaning lady, and draws on some of her own experiences cleaning houses to color the material. Does knowing that affect the way you view Mona?
2. “Names are powerful,” Betty tells Mona on page 218. Is it significant that Mona constantly names and renames people and things in her life? What does it mean for Mona to finally share Mr. Disgusting’s real name? Or for her to finally correct Betty, who had been calling her Maura?
3. Why do you think Mona chose to follow Mr. Disgusting’s suggestion and move to Taos, New Mexico?
4. “Pretend I’m Dead” is the name of a game Mona and her father played in the pool when she was young. She also resumes photographing herself playing dead in Henry’s home, something she starts doing again in order to “move on” from her past. Discuss how this action, playing dead, underpins the novel as a whole, and what its significance is thematically.
5. Before leaving Lowell for Taos, Mona smashed her favorite vintage vacuum cleaner, and in the final scene, she and Jesus destroy one of the dolls with a hammer. Discuss what each of these acts signifies. What do you think is the next step in Mona’s journey?
6. The book is divided into four sections. The final three are named after characters who leave an impression on Mona—Nigel and Shiori (or “Yoko and Yoko”); her neighbors, her client Henry and his daughter Zoe; and her client Betty, the maybe-psychic. Why do you think the first section is titled “Hole”? What does it indicate about her relationship with Mr. Disgusting?
7. Mona is able to turn her “dirt radar” (p. 16) on and off as needed. Do you think she does something similar with people? With herself?
8. What do you make of Mona’s interpretation of Henry and Zoe’s relationship? Do you think she is projecting her past trauma, or witnessing the accessories to sexual abuse?
9. Pretend I’m Dead could be described as a voyeuristic novel, both because of how closely Mona observes the people she interacts with and also because of how intimately we as readers get to know her, and thus the author herself. Discuss voyeurism in fiction, and what it was like to encounter it in this book.
10. After rereading her childhood diaries, Mona speculates (p. 140) that “perhaps she didn’t have daddy issues . . . but rather Tommy issues.” What do you make of this? Do you think Mona is able to reconcile the trauma of her childhood?
11. Pretend I’m Dead is a relatively short novel, yet it deals with difficult topics, such as sexual abuse and addiction. Did the length of the novel make it easier or harder to read about these subjects?
Enhance Your Book Club
1. Read Lucia Berlin’s A Manual for Cleaning Women, a book of autobiographical short stories set in the 1960s, ’70s, and ’80s about Berlin’s experience as a cleaning lady. Compare her real-life experiences to Mona’s fictional ones.
2. Seek out some of the think pieces published in the wake of the #MeToo movement and discuss how Mona’s experiences may fit with some of the questions raised in recent times about sexual abuse and assault.
Jen Beagin holds an MFA in creative writing from the University of California, Irvine, and is a recipient of a 2017 Whiting Award in fiction. She is the author of Pretend I'm Dead and Vacuum in the Dark. A former cleaning lady, she lives in Hudson, New York.
"Rib-ticklingly funny-sad... [Beagin] works magic in the space between hilarity and heartbreak... Absurdly affecting."
– O Magazine, a Best Book of 2018
"One of the most anticipated literary debuts of the year... Pretend I’m Dead traces a cleaning woman’s journey to self-acceptance in alternately warm, sharp, and deeply wise fashion... Scathingly funny."
– Entertainment Weekly
"With her droll humor and hilarious (but also earnest) observations, the 24-year-old narrator of Pretend I’m Dead had us hooked from page one. Mona gets by cleaning houses; in her free time, she hands out clean needles to heroin junkies. She is adrift; a dreamer without the fuel to make her dreams real. Pretend I’m Dead follows Mona as she moves to a new city, through a few relationships. But reciting the plot doesn’t do the book justice. Glide through Mona’s series of bad decisions with her – she’s a good companion."
– Refinery 29, a Best Book of 2018
"Beagin's work has been compared to Denis Johnson, which is high praise indeed, and totally deserved based on this smart, funny, darkly profound debut."
"Sharp but empathetic... Clear-eyed and funny... What gives this novel its heart is Beagin's capacity for seeing... Beagin makes [her theme] fresh with her sly, funny, compassionate voice. This is a terrific debut. Singularly enjoyable."
– Kirkus, starred review
"Beagin's debut is grungy and ribald, melancholic and funny. Throw in a little wisdom, schmaltz and a few useful housekeeping tips, and Pretend I'm Dead delivers a real bang for the buck."
– Shelf Awareness
“How can you resist a love story in which the object of desire is named Mr. Disgusting? Like Denis Johnson, Jen Beagin is able to find humanity and wonder (and yes, love) in some of the most forlorn and hopeless corners of our world.”
– Tom Perrotta, author of Mrs. Fletcher and The Leftovers
"Pretend I'm Dead by Jen Beagin is like one of those old-fashioned classics by Charles Bukowski or John Fante or, more recently, Denis Johnson, a shambling, lyrical dispatch from the dive bars and the flop houses where the downtrodden, divested of hope, livelihood, good health, and any number of other markers of respectability, nevertheless retain full possession of their hearts and minds, their integrity, their souls, too, perhaps--and no one nearly as triumphantly as Mona Boyle, Beagin's heart-breaking hero & alter-ego. Rare is the encounter with such a frank and unflinching voice reporting from life on the edge, and rarer still the humor and compassion that Beagin manages to locate in some of the country's, and the psyche's, darkest corners. This book invaded my dreams, took over my conversation, and otherwise seduced me totally."
– Joshua Ferris, author of Then We Came to the End
"Jen Beagin has one of the freshest voices I've read in years - funny, wise, whip-smart and compassionate. I tore through Pretend I'm Dead with a deep sense of affection for all of its beautifully flawed characters and their bittersweet lives."
– Jami Attenberg, author of The Middlesteins and All Grown Up
"Pretend I’m Dead is funny, weird, disturbing, and just a touch magical. Mona, our main character, is such fabulous company, even when she wants everyone in her life to leave her alone. Jen Beagin’s novel will stare you down, mesmerize you, and dare you to laugh."
– Annie Hartnett, author of Rabbit Cake
"If nuanced, funny, dark, utterly unpretentious literature is your drug of choice, Jen Beagin's Pretend I'm Dead constitutes an epic score. Please enjoy responsibly."
– Elisa Albert, author of After Birth
"In Jen Beagin's Pretend I'm Dead, the brilliant and damaged young proprietress of Bee's Knees Housekeeping is continually in danger of too much information. She cleans people's homes, all those telling, secret, even intimate spaces, and reflected back are the secrets of her own past, the million sadnesses. Despite Mona's wicked sense of humor, too much contends for her fine heart in this daily work. Funny, supremely candid, this debut hurt me perfectly on every page."
– Ron Carlson, author of Return to Oakpine
"Pretend I'm Dead is utterly engaging, laugh-out-loud funny, and always compelling. Mona is an irresistible character, and I loved being in her head and hearing her thoughts. In short, I was rooting for her straight through. Each sentence is alive, vibrant and quaking. Beagin's writing is fearless and bold, yet the book is entirely accessible and even relatable."
– Jessica Anya Blau, author of The Wonder Bread Summer
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