The inspiration for the critically acclaimed Starz miniseries The White Queen, #1 New York Times bestselling author Philippa Gregory brings to life Margaret Beaufort, heiress to the red rose of Lancaster, who charts her way through treacherous alliances to take control of the English throne.
Margaret Beaufort never surrenders her belief that her Lancaster house is the true ruler of England, and that she has a great destiny before her. Married to a man twice her age, quickly widowed, and a mother at only fourteen, Margaret is determined to turn her lonely life into a triumph. She sets her heart on putting her son on the throne of England regardless of the cost to herself, to England, and even to the little boy. Disregarding rival heirs and the overwhelming power of the York dynasty, she names him Henry, like the king; sends him into exile; and pledges him in marriage to her enemy Elizabeth of York’s daughter. As the political tides constantly move and shift, Margaret masterminds one of the greatest rebellions of all time—all the while knowing that her son has grown to manhood, recruited an army, and awaits his opportunity to win the greatest prize in all of England.
The Red Queen is a novel of conspiracy, passion, and coldhearted ambition, the story of a proud and determined woman who believes that she alone is destined, by her piety and lineage, to shape the course of history.
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This reading group guide for The Red Queen includes an introduction, discussion questions, ideas for enhancing your book club, and a Q&A with author Philippa Gregory. The suggested questions are intended to help your reading group find new and interesting angles and topics for your discussion. We hope that these ideas will enrich your conversation and increase your enjoyment of the book.
Heiress to the red rose of Lancaster, Margaret Beaufort never surrenders her belief that her house is the ruler of England and she has a great destiny before her. Married to a man twice her age, quickly widowed, and a mother at fourteen, Margaret is determined to turn her lonely life into a triumph. She sets her heart on putting her son of the throne of England regardless of the cost. As the political tides constantly shift, Margaret charts her way through two more loveless marriages, treacherous alliances, and secret plots. She masterminds one of the greatest rebellions of all time, knowing that her son has grown to manhood, recruited an army, and now waits for his opportunity to win the greatest prize.
1. In the beginning of The Red Queen, young Margaret Beaufort is an extremely pious young girl, happy to have “saints’ knees” when she kneels too long at her prayers. Discuss the role of religion throughout Margaret’s life. What does she see as God’s role for her?
2. As a pious young girl, Margaret wants to live a life of greatness like her heroine, Joan of Arc. However, her fate lies elsewhere, as her mother tells her, “the time has come to put aside silly stories and silly dreams and do your duty.” (Page 26). What is Margaret’s duty and how does she respond to her mother’s words?
2. At the tender age of twelve, Margaret is married to Edmund Tutor and fourteen months later she bears him the son who will be the heir to the royal Lancaster family line. During the excruciating hours of labor, Margaret learns a painful truth about her mother and the way she views Margaret. Discuss the implications of what Margaret learns from her mother, and what is “the price of being a woman.” (63)
3. How does Jasper Tudor aid Margaret in her plans for herself and her son, Henry? What does he sacrifice in order to keep Henry Tudor safe? In what ways are Jasper and Margaret alike?
4. After the death of Edmund Tudor, Margaret marries the wealthy Sir Henry Stafford. How is Stafford different from Edmund? Margaret laments that she is “starting to fear that my husband is worse than a coward” (p. 105). What are her reasons for this? Do you see any sense in Stafford’s careful diplomacy?
5. On Easter of 1461, violence breaks out between the armies of Lancaster and York. This time, Sir Henry Stafford goes out to fight for Lancaster, only to witness a terrible battle. What does he understand about war and politics and why are these truths so difficult for Margaret to grasp?
6. Ever since she was a young girl, Margaret believed she was destined for greatness. How does her pride in her destiny manifest itself throughout the story? Identify key moments where Margaret’s pride overwhelms her judgment.
7. In the spring of 1471, Stafford sides with York and supports Edward in his quest to take the throne of England once and for all. Do you understand Stafford’s reasons for doing this? Is Margaret’s rage at her husband’s decision understandable?
8. Sir Henry Stafford suffers a mortal wound in battle. After his death, Margaret decides she must be strategic in her next marriage and so she approaches Thomas, Lord Stanley, who Jasper describes as “a specialist of the final charge” (217). What does Jasper mean by this? How is Stanley different from Stafford and what does it mean for Margaret that she decides to unite her fortunes with this man?
9. In April 1483, Margaret tries to enlist Stanley in helping to get her son, Henry, and Jasper back on English shores. An argument ensues between the two of them, and the ever-shrewd Stanley confronts Margaret with his view of her true nature, much to her horror (236). Do you think Stanley’s assessment of her is correct? Why is this so significant?
10. Discuss Margaret’s feelings towards the White Queen, Elizabeth Woodville. Why does she cause her so much anger? How does Margaret’s view of Elizabeth change as she becomes her lady-in-waiting, and then as she actively plots with her—and against her—for the throne of England?
11. Once King Richard has installed himself on the throne, Margaret and Lord Stanley scheme to replace him with her son, Henry Tudor. Margaret must make the difficult decision about whether to sacrifice the two princes in the Tower for her own ambitions (271). Is there any way to justify Margaret’s actions? Do you sympathize with her plight?
12. In the winter of 1483-84, Margaret despairs when her plans fail miserably. Under house arrest by the king, she looks back on her schemes and declares, “the sin of ambition and greed darkened our enterprise” (305). Discuss Margaret’s conclusion about her behavior. Do you think she takes responsibility for her actions? What blame does she place on Elizabeth Woodville?
13. As the fortunes of England shift once again, Margaret finds herself playing host to the young Lady Elizabeth, the beautiful daughter of Elizabeth Woodville. Discuss the interaction between these two headstrong women. How does Lady Elizabeth treat Margaret and what does she say on page 344 that leaves Margaret stunned into silence?
14. Discuss the final battle scenes in The Red Queen. How does Henry Tudor, young and inexperienced, eventually gain the upper hand, and how does King Richard lose his throne, and his life?
15. By the end of the book, Margaret, now Margaret Regina, the King’s mother, has achieved all she wanted. Do you respect her and her ideals? Do you think her achievement justifies her actions?
Enhancing Your Book Club
Learn more about the War of the Roses, Richard III, and the fall of the house of York at the homepage of the Richard III Society: http://www.r3.org/
Conduct a mock investigation of the murder of the princes in the Tower. Review the suspects and determine motive and guilt. Resources can be found at http://www.castles.me.uk/princes-in-the-tower.htm and http://www.r3.org/bookcase/whodunit.html
Visit Philippa Gregory's website, www.philippagregory.com, to learn more about the author, view the Plantagenet family tree, and read background information on The Red Queen.
A Conversation with Philippa Gregory
Margaret Beaufort is a very different character than Elizabeth Woodville, star of The White Queen. Was it difficult for you to shift perspective and write in the voice of a woman, in this case The Red Queen, who is the enemy of the main character of your previous book?
One of the most difficult things I have ever done in writing was shift my own perspective so that after three years of thinking entirely from the point of view of Elizabeth Woodville and from the point of view of the house of York, I had to convert to the view of Margaret Beaufort and the house of Lancaster. I thought at the time that the only way to do it would be to find some sort of key to the girl that Margaret was, in order to understand her as a woman. There are three extant biographies of her and I read them all and then thought that the secret to Margaret is her genuine and deep faith. That led me to the picture of this very precocious and serious little girl and once I could imagine and love her – I could imagine the woman that her hard life and disappointments create.
Margaret’s mother tells her “since you were a girl you could only be the bridge to the next generation.” (59) Do you feel sympathy for Margaret and her thwarted ambition? What would her life have been like if she were born a man?
Of course I feel intense sympathy for Margaret who is used by her family, as so many women of this period were used – as a pawn in a game of dynasties. However, to be cheerful about it – if she had been a man she would almost certainly have been killed in a battle or in an attack – all the other heirs on the Lancaster side were killed and she sent her son away to keep him safe. Perhaps the greatest disappointment for Margaret was that she was not allowed a religious life. There is no doubt in my mind that she would have made a wonderful abbess both as a landlord and community leader and as a scholar.
Taken together, The White Queen and The Red Queen present very different portraits of marriage in the fifteenth century. Was either woman’s experience more indicative of the time?
Margaret has the more typical life of a woman of her class. Many of the noblewomen of this time were placed in arranged marriages for the advantage of their families, she was exceptionally young, but most noblewomen could expect to be married at sixteen. What is unusual about Margaret is that it seems likely that her third marriage was indeed arranged by herself, to position herself at the York court, and to give her son a stepfather of immense wealth and influence. In this she was very powerfully taking control of her own destiny, and this was unusual, even for widows. Elizabeth Woodville’s first marriage is also very typical of the time. Her marriage was arranged when she was about sixteen to the wealthy heir of a great estate in a neighbouring county. The Grey family gained the Woodville’s connections at court and the royal and noble connections of Elizabeth’s mother, and the Woodvilles got their daughter into a wealthy house. Elizabeth’s second marriage was, of course, unique. She was the first English commoner to marry a king of England, and the first queen married for love. They married in secret without the knowledge the king’s advisor and mentor. It was an extraordinary marriage.
Sir Henry Stafford is an interesting contrast to so many of the striving, power-hungry men and women in this novel. How much of his thoughts did you base on real life and how much was your own interpretation of his character?
Sir Henry, like so many men and women of his time has left little or no record of his thoughts, and only scanty records of his actions. I had to look at what we knew about him: his age, his decision not to ride out to battle in any of the many battles of the wars: except when he went out for Lancaster in 1561, and for York a decade later. Therefore I had to consider why a man would have fought in the sixth and the fifteenth battle: but no others; and why a man tied to the house of Lancaster by family and habit would change his mind so completely as to fight for York. That was all I had to go on: as well as my general reading about the feelings of so many men who were forced to take difficult decisions about their private and family hopes and fears at a time of constant challenge.
There are three pivotal women in this novel, Elizabeth Woodville, her daughter, Lady Elizabeth and Margaret Beaufort. Do you think they are able to rise above what was considered acceptable for women’s roles in their time?
I think what these women demonstrate in this novel is the range of responses that were possible for women; and that this range is probably wider than we as readers of the period might generally think. Because the history of the period has been mostly written by men (for two reasons: that until the 20th century almost all historians were men since only men attended universities, and that histories of war seems to attract mostly male historians) we have very scanty records of what women were feeling thinking and even doing. And those reports we have are often biased against women who seek power. Thus we simply don’t know the extent of the involvement of Elizabeth Woodville and Margaret Beaufort in the Buckingham rebellion or the Tudor invasion, we can only deduce that they were deeply involved. But we do have very negative views of Elizabeth Woodville as a mother failing to protect her children, as a panic-stricken woman fleeing into sanctuary, and as a hard-hearted manipulator sending her daughters out to the uncle who may have killed her sons. That these views of her are exaggerated and indeed contradictory does not seem to trouble some historians whose view of her is determinedly negative. In contrast, the positive views taken of Margaret Beaufort emphasize her suffering and endurance and not her political skill and manipulation. In this book I suggest that Princess Elizabeth fell in love with King Richard her uncle. This is based on a letter which was seen by an historian but is now missing, and it would suggest that she also had the courage and passion to try to choose her own life. These are women of exceptional courage and determination, but I think they show that even in a society where women are powerfully repressed both legally and culturally, that there are still women who will find ways to express themselves.
How does history remember Margaret Beaufort? Do you feel that she is dealt with fairly by historians and writers?
There are two main opinions on Margaret Beaufort that have emerged for me from my reading. One, very positive, is based on the Tudor hagiography which sees her as the matriarch of the house and a woman who spent her life in the service of her son. It follows the sermon preached by Archbishop Fisher who stressed her suffering as a young woman, and her very early sense of destiny when she believed that she was advised by the saints to marry Edmund Tudor and thus have a Tudor heir to the Lancaster throne. This view sees her as a divinely inspired matriarch, to a family called by God, and was incorporated into the Tudor history of their own line. The other, more modern view of her, is less admiring of her as a spiritual woman but emphasizes her political ambitions and her powers of manipulation. In this view she is sometimes regarded critically as a woman of excessive ambition and greed and suggests that she dominated the household of her son, and influenced the upbringing of her grandsons.
Can you tell us a little about the next book in the series? Is Lady Elizabeth going to feature prominently?
The next book tells the story of Elizabeth Woodville’s mother who is glimpsed in this novel. She was Jacquetta, daughter of the Count of Luxembourg, and kinswoman to half the royalty of Europe, who was married first to the great Englishman John Duke of Bedford, uncle to Henry VI. Widowed at the age of nineteen she took the extraordinary risk of marrying a gentleman of her household for love, and then carved out a life for herself as Queen Margaret of Anjou's close friend and a Lancaster supporter – until the day that her daughter Elizabeth Woodville fell in love and married the rival king Edward IV. Of all the little-known but important women of the period, her dramatic story is the most neglected. With her links to Melusina, the founder of the house of Luxembourg and her reputation for making magic, she is a most haunting heroine. The story opens as her uncle, Louis of Luxembourg captures Joan of Arc and Jacquetta sees, for the first time, the dangers facing a girl who dares to be extraordinary.
Philippa Gregory is the author of many bestselling novels, including The Other Boleyn Girl, and is a recognized authority on women’s history. Her work has been adapted for the screen in The Other Boleyn Girl movie and the critically acclaimed STARZ miniseries The White Queen and The White Princess. Her most recent novel is The Last Tudor. She graduated from the University of Sussex and received a PhD from the University of Edinburgh, where she is a Regent. She holds two honorary degrees from Teesside University and the University of Sussex. She is a fellow of the Universities of Sussex and Cardiff and was awarded the 2016 Harrogate Festival Award for Contribution to Historical Fiction. She welcomes visitors to her website, PhilippaGregory.com.
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