True love takes a twisted turn in the second book of this modern gothic romance trilogy channeling the dark brilliance of Edgar Allan Poe.
While Varen remains a prisoner in a perilous dream world where the terrifying stories of Edgar Allan Poe come to life, Isobel travels to Baltimore to confront the dark figure known throughout the world as the Poe Toaster. This man, the same man who once appeared to Isobel in her dreams and abandoned her in Varen’s nightmare world, holds the key to saving Varen. But when Isobel discovers a way to return to this dream world, she finds herself swept up in a realm that not only holds remnants of Edgar Allan Poe’s presence, but has also now taken on the characteristics of Varen’s innermost self. It is a dark world of fear, terror, and anger. When Isobel once more encounters Varen, she finds him changed. And now Isobel must face a new adversary—one who also happens to be her greatest love.
“Okay, Hawks,” Coach Anne said. “That’s a wrap. We can officially call that our last run before Nationals. At least until we hit Dallas.”
Isobel released a sigh, her shoulders slumping in relief.
Around her, tired whoops and clapping echoed through the gym, everyone breaking off to find their water bottles and towels.
A dull ache spread its way slowly through her as she allowed her muscles to unclench. Her whole body felt like a twisted rope unwinding.
Already, Coach had drilled the routine at least twenty times. Even if Coach had wanted them to go again, Isobel didn’t think she could have managed another pike basket toss, let alone landed one more full.
She knew she wasn’t the only one running on fumes either.
She’d felt the entire squad’s energy draining away little by little, like a machine operating on a single dying battery.
Coach must have felt it too. Isobel had no doubt that she would have drilled them until midnight if she hadn’t sensed her squad preparing for mutiny.
Then again, it wasn’t unusual for Coach to pull this kind of boot-camp, cheer-till-you-drop drillathon, especially right before a big competition. And this was the competition, after all. But her motivation for killing them like this lay less, Isobel knew, in ironing out any last-minute kinks and more in sending everyone home too tired to do anything but crash.
“I want you all to get some rest tonight,” Coach shouted above a sudden burst of laughing and talking, her words confirming Isobel’s suspicions. “That means no late-night Facebook updates, no texting, no two a.m. phone calls with Mr. or Miss Flavor of the Week, and no last-minute stunting in the living room—I’m talking to you, Miss Dorbon. I want everybody here in one piece and ready to go at five a.m. sharp. Got that?” Coach lifted one thick arm over her frizzy poof of brown hair and pointed at her wristwatch. “Bus leaves at six on the dot, so set your alarms. No hitting the snooze button forty times. No ‘I forgot my uniform.’ No excuses. I know I don’t have to tell any of you that we won’t wait if you’re late.”
Speaking of late, Isobel wondered what time it was. It felt like they’d been there for hours.
She glanced above the gym doors to the white-faced clock secured behind the protective metal grate designed to shield it from foul balls.
At the sight of the dark, familiar figure standing in the doorway, however, all thoughts of time flew from her mind.
Hands stuffed into the pockets of his black jeans, he watched her from behind reflective sunglasses, his expression calm, blank.
A panicked stirring arose inside her, coupled with a nagging sensation that tugged at the back of her mind, like a child pulling on the hem of her mother’s dress. It was as though some deeper part of her was trying desperately to get her attention.
Behind her, Isobel could hear Coach Anne’s continued tirade as she rattled off reminders about their uniforms and which colored tennis shoe inserts to wear. Blue bows for hair this time, she droned, not yellow. A-line skirts, not pleated.
The longer Isobel stared at the figure standing in the open doorway, though, the more distant Coach’s voice began to grow. The walls of the gymnasium, the squad, and the floor, too—they all blurred out of her vision until there was only him.
Isobel walked toward the figure and reached for the glasses, the urge to strip them from his face and look into his eyes nothing short of a compulsion.
He stopped her hand with his. The contact made her pause, and the nameless dread inside her melted away as his fingers intertwined with hers.
His hand felt so warm.
“Ready to go?” he asked.
His voice rippled through her, low, soft, and a little husky—like the hushed crackling of an old-fashioned record player just before the music starts. Quieting the tangled mesh of her thoughts, it numbed her like a drug.
Her eyes flicked down from his glasses to the slight smile that tugged at one corner of his mouth. A glint of light caught on his lip ring, causing the silver to flash.
Suddenly it was too hard to breathe. She wanted to feel that tiny slip of metal against her own lips, to kiss him. As if that would somehow help her catch her breath.
But she couldn’t escape the feeling that there was something about the moment, something about his very presence that she wasn’t grasping. It was as if her mind had misplaced some vital bit of information. Or lost it entirely.
“What—what are you doing here?” she asked him, because it was the one question that kept pushing all the others out of the way.
One of his eyebrows drifted above the top edge of his sunglasses. His half smile remained in place. “I came to pick you up,” he said. “You’re my girlfriend. I do that now, remember?”
The word felt like a switchblade to her heart. The pain it evoked was more tender than sharp, though, the kind that comes along with saying good-bye to a friend you know you’ll never see again.
“C’mon,” he said before she could ask any more questions. He began to turn away and she felt his hand tighten around hers, squeezing, tugging her after him. “We should go.”
Isobel found herself following him, her steps falling in stride with his.
She wanted to look back, to see who’d been watching and who had noticed. Certainly Coach had seen her go. Isobel couldn’t understand why Coach wasn’t yelling at her right that very second, shouting for her to come back and that practice wasn’t over until after cooldown. But she didn’t have time to turn around. She and Varen had already reached the double doors that led out into the school’s rear parking lot.
They pushed through, greeted by a cascade of snow that poured from above, the gray-purple clouds all but blotting out the sky, leaving no room for the cold winter sun.
Varen’s black 1967 Cougar sat alone in the empty parking lot, a dark inkblot surrounded by a sea of vacant whiteness.
Isobel frowned. Where were all the other cars? Where was the line of minivans and SUVs waiting to pick up the rest of the squad? Where was Coach’s hulking, rust-red Suburban?
“I need to show you something,” she heard Varen say, though he didn’t turn around.
Isobel’s focus narrowed in on the nape of his neck, the place where his hair, black and silken, jagged as crows’ feathers, brushed the collar of his T-shirt.
Had she only just noticed how long it had grown?
A breeze whipped past them, and his bare arms made her wonder why he hadn’t worn his jacket.
“Varen, where are we going?”
“You’ll see,” was his only response as he hurried her through the parking lot. Beneath their feet, the snow, still fresh and powdery, made no sound.
Reaching the Cougar, he opened and held the passenger-side door for her, the cab light illuminating the familiar burgundy interior.
She hesitated and glanced back to Varen. Shifting his weight from one foot to the other, he gestured to the upholstery. “Yeah,” he said, “sorry about that. Still waiting on those mink seat covers.”
Isobel shot him a wry smile. Before she could return his trademark sarcasm with her own dry quip, though, something about his appearance made her pause.
There was something missing. Something off . . .
She realized that even though she was looking straight at him, she could not see herself in the mirrored lenses of his glasses, only the reflection of blackened trees standing in rows behind her, their thin prison-bar trunks still visible through the thickening screen of falling snow.
In the reflection, a large ebony bird lifted off from one of the twisted branches, and the sound of its beating wings caused her to flinch and whirl. But when she looked, there were no trees. No bird. Only the rigid outline of Trenton High’s neo-Gothic facade.
From here, Isobel could just make out the four spires of the school’s main entrance tower peeking up over the roof’s ledge. The countless windowpanes glared white, refracting the overcast light like a thousand dead eyes. Even though she’d just left the squad in the gym, the entire building now appeared deserted—except for the top floor, where Isobel thought she saw the silhouette of someone standing in one of the windows, watching them.
“Get in,” Varen said. “Now.”
Isobel turned and sank into the car, spurred by the urgency in his voice.
She shut the door behind her and, glancing to the driver’s side, was shocked to find him already there, one hand on the steering wheel, the other locked around the stick shift, the bulky onyx gem of his class ring shining like oil in the stark light.
The car hummed. Isobel felt her seat vibrate beneath her as the engine rumbled, though she couldn’t recall his turning the key. The smell of exhaust fumes filtered into her awareness while the windshield wipers jumped into action, slashing back and forth to cast off the gathering snow. By now, the cascade of whiteness had grown so heavy that the world outside had all but vanished.
Beside her on the seat, the ratty old Discman Varen had rigged up to the Cougar’s dashboard radio sprang to life. Through the tiny rectangular window, Isobel saw the disc inside whir. A woman’s soft voice erupted through a hiss of static. Her humming, unaccompanied by any instrumentals, filled the car. Soft and sweet, sad but beautiful, the naked melody was one Isobel had never heard before. The voice, too, was unfamiliar, possessing an airy quality, wispy and almost shy.
Without warning, Varen snatched the Discman, yanking it free from the wires that connected it to the dashboard, instantly silencing the static and the humming. With a hard scowl, he tossed the CD player into the backseat. Grabbing the stick shift again, he threw the car into gear.
His foot hit the gas pedal and they began to move, accelerating to top speed. Isobel opened her mouth to speak, but Varen cut her off, turning the wheel sharply.
Pressed to the passenger-side door, she groped for something to hold on to, instantly reminded of that night he’d driven her home, careening down the road while ignoring her desperate pleas for him to stop. Fear erupted inside her like a match striking. She gripped the seat beneath her, able only to see endless white through the windows.
“Varen! You can’t even see where you’re going!”
“I don’t have to,” he said.
Isobel felt her muscles tighten again, coiling up, tensing in preparation for the impact that would surely kill them both any second.
“Varen! Ple—” Isobel stopped, her words evaporating in her mouth as she caught sight of the small clock embedded into the dashboard.
The hands of the clock looped opposite each other and spun lazily around and around, never stopping. She watched the needle of the speedometer tip to and fro like the pendulum of a metronome.
The gas gauge read empty, but she could hear the engine growling, guzzling fuel.
“Wait,” she whispered, more to herself than to him. “This isn’t . . . This is a dr—”
“Don’t,” he snapped, silencing her. “Not yet.”
His foot slammed on the brake. Isobel pitched forward in her seat as the car skidded to a halt, its tires shrieking.
Like sand being blown from a relic, the snow coating the windshield began to erode.
Or rather, Isobel thought, the ash.
Tiny blots of bright crimson now fluttered down all around them, lighting on the windshield.
The car jerked to a final stop, causing Isobel to fly back again. Frantic, she turned toward the driver’s side, only to find the car door flung open and Varen gone.
Outside, countless red roses bobbed their heads, their waxy leaves rustling in a sudden gust of wind that sent even more blood-colored petals raining over the car.
Thick and heady, the aroma of the blossoms weighed down the air.
Isobel fumbled for the handle on her door, which popped open as soon as she touched the latch. Jerking her arm with it, the door swung out wide over the jagged edge of a black cliff.
Far below, milky waters churned amid toothy rocks while the waves clamored one over the other, snapping like white wolves before smashing against the flat face of the cliff.
Isobel gave a silent shriek. She backpedaled for the driver’s side. Twisting, she grabbed hold of the steering wheel, using it to pull herself out on the other side.
She spilled hard onto the ground. Rolling onto her back, she hiked one knee up and kicked, sending the door of the Cougar slamming shut.
The echoing clap caused the car to disperse into ashes.
Isobel raised her arms to shield her face from the spray of grit. Through the settling dust, she saw that the cliffs had vanished, leaving only the surrounding walls of ruby blossoms.
In the midst of what appeared to be an enormous rose garden, a familiar structure became discernible through the screen of the settling powder.
Isobel recognized the structure as the fountain from Varen’s neighborhood. It now stood in the center of a circular dome-shaped room enclosed by scarlet blooms.
Without the curtain of crystal water pouring from the ledge of its rounded green basin, the fountain was a silent and eerie monument.
Isobel pulled herself to her feet, her practice sneakers caked with ash, chalk white against a carpet of ruby petals.
Her eyes locked on the statue of the woman that stood at the top of the fountain, her stiff stone veil clutched in her hands, the fabric arcing out behind her nearly nude figure in a backward C.
Isobel turned in a circle. All around her, buds and blossoms in various states of unfurling dotted the trellised walls. High over the statue’s head, thick vines met at a circular opening at the top of the domed ceiling. Through the porthole, she could see a tangled webwork of black tree limbs.
What was this place?
And where was—?
Isobel started, nearly yelping as she found him standing right in front of her.
She peered up into eyes no longer shielded by sunglasses. Their centers were black, swept clean of color and light.
She searched through their darkness, desperate to find some irrefutable evidence in their depths that could prove it was really him.
“Is—is any of this real?” she asked. “Are you real?”
He lifted a hand to her cheek, his fingers brushing her jaw.
“Even if this is a dream,” he whispered, “I’m not.”
Isobel’s eyes widened, recognizing those words as her own, the same ones she had once uttered to him. She reached for him, her arms twining around his neck, drawing him to her so that his scent poured over her, that combination of incense, citrus, and dried leaves overriding the funeral smell of the crowding flowers.
He lowered his forehead to hers, his hair draping around their faces, the smooth strands tickling her skin.
“Don’t leave,” she breathed.
“I’m here,” he whispered. “Right here. Waiting.”
He leaned in.
Isobel tilted her chin up, ready for the press of his lips.
She wanted to let her eyes fall shut, but something, a sensation of being watched, stopped her. Her glance slid past his shoulder, her focus drawn to the statue atop the fountain.
Between the inky strands of Varen’s hair, Isobel watched its eyes slide open. She stared, transfixed, as the statue turned its head toward them, aiming those two empty pits of blackness straight at her.
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A Reading Group Guide for
Enshadowed: A Nevermore Book By Kelly Creagh
The information, activities, and discussion questions that follow are intended to enhance your reading of Enshadowed. Please feel free to adapt these materials to suit your needs and interests.
1. The novel’s prologue describes Poe’s final hours. What images and emotions from the prologue are reflected in Isobel’s state of mind in the opening chapters of the novel? What are the states of Isobel’s family relationships and school friendships as the story begins?
2. Describe Isobel’s chapter one encounter with Varen. What images and ideas presented in this first chapter foreshadow the entire story to come? After having finished reading the novel, reread chapter one and explain what elements of the ending are actually revealed to the reader in these early pages.
3. Isobel recalls previous meetings with the dream character “Reynolds,” who at various times acted as both ally and enemy. What special identity does she believe Reynolds is concealing? How does she hope this identity can help lead her to Varen?
4. Why does Isobel hesitate to tell Gwen the whole story of what happened on Halloween? What does Gwen help Isobel discover about Lilith? Do you think Isobel would have ever made it to Poe’s Baltimore gravesite without Gwen? Why or why not?
5. “Reality. The thought of that word caused [Isobel] to utter a short, sharp laugh because, by now, it had begun to lose its meaning.” How has reality begun to lose its meaning? What does reality mean to you? Have you ever had an experience where you felt like Isobel? Describe the experience and how, if at all, it has affected your understanding of the concept of reality.
6. In Chapter 17, after her encounter with ex-boyfriend Brad, Isobel tries to connect with Varen, saying “You know that’s not who I am anymore. Don’t you?” Who has Isobel become? Explain why this chapter is so aptly titled, “Inversion.”
7. Who are Pinfeathers and Scrimshaw? Are Nocs friends or foe, good or evil, or something else entirely? Could you argue that, in form and behavior, Nocs represent various types of ambiguity, both ethical and psychological? Explain your answer.
8. What roles do time and timepieces play in the novel? How do they help Isobel realize whether or not she is in a dream state? What other strategies does Isobel use to prove to herself that she is awake (or discover that she is not)? What does this tell readers about Isobel?
9. From the powerful Lilith to the mourned Virginia (Poe’s wife), women represent power, inspiration, and other critical concepts explored in the novel. Name at least three more women who play key roles in the novel. How might you describe what they represent from a thematic perspective?
10. Throughout the novel, do you think Isobel endangers herself with her unwillingness to tell anyone what is happening to her emotionally? Why or why not? If you were Gwen, what advice might you give to Isobel about her secret-keeping tendencies?
11. In Chapter 26, Isobel finally reveals some of her thoughts to Gwen, only to discover that Gwen is asleep. “But that was okay . . . More than anything, it felt as if she’d been delivering a final speech . . . for the girl she’d once been but could never again resurrect, the girl her father had been so afraid of losing and had lost anyway.” How might this passage describe not only Isobel’s situation but Varen’s, Reynolds’, and even other characters? Could you read Enshadowed as a story about a threshold that is crossed on the journey from childhood to adulthood, explored on a paranormal level? Explain your answer.
12. In Chapter 33, “Mad Trist,” what does Reynolds think Isobel “doesn’t understand”? What conclusions has Isobel reached about Reynolds that make her decide to run toward Varen despite his warnings?
13. Where is Isobel at the end of the novel? Do you think Varen was trying to harm or save her during their encounter on the final pages? How do you think Isobel would define reality on the novel’s final page? What do you think is the “everything” she remembers?
14. Where is Varen at the end of the novel? Do you believe he and Isobel will ever reunite? If so, on what terms and in what world? What might you name the third installment of the Nevermore series?
Writing and Research Activities
1. Research the literary term “gothic novel.” Create an informational poster describing the main elements of gothic novels. Or make a stack of at least six index cards, each featuring the name, biographical information, and notable works of an author of gothic novels, such as Horace Walpole, Mary Shelley, Emily Brontë, or Bram Stoker.
2. Use information from your research in activity one (above) to create a PowerPoint or other type of classroom presentation explaining how Enshadowed can be read as a contemporary gothic novel in terms of main characters, supernatural elements, and settings.
3. While Creagh’s first novel about Isobel and Varen, Nevermore, draws heavily on imagery from Poe’s poem, “The Raven,” Enshadowed is inspired by his short story “The Fall of the House of Usher.” Read this story and write a short essay in which you explain at least three themes or images from the Poe story employed in Creagh’s novel.
4. Isobel recalls her first vision of Reynolds (through a mirror) and Brad’s insight that reflections are “how they find you.” Look at your reflection in a mirror for five minutes (set a timer). What do you see? What thoughts float through your mind? What do you find? Write song lyrics or a poem describing your observations or feelings about this exercise.
5. In the Greek myth of Narcissus, the fairy tale “Snow White,” and many other works of film and literature, mirrors are a key thematic and/or plot element. With friends or classmates, brainstorm a list of books and movies featuring mirrors. Select one or more favorites from the list to review as a critic, and include references to the mirror element.
6. Select a single object that relates to the novel, such as a flower or clock. Fold a sheet of sketch paper in half vertically or horizontally, to create a dividing line. Using pencils or oil pastels, create an artwork showing the image in a “real” and “dream” world by varying the background elements, color choices, and even your representation of the object itself. If desired, create a display of Dual World Artworks by combining your piece with pictures created by friends or classmates.
7. From Lilith to Reynolds, from Pinfeathers to Scrimshaw, Creagh names her characters with reference to history, mythology, and aspects of nature. Make a list of character names and images that pique your curiosity. Research the words on your list at the library or online. Create an annotated guide to characters and objects in Enshadowed, describing their names’ historical and literary significance as well as their roles in the novel. Include page citations for critical passages where the key names are mentioned.
8. Over the course of the novel, Isobel explores the difference between “real” and “reality.” Write a journal entry from the point of view of Isobel, Varen, or Reynolds, in which you clarify this distinction.
9. Author Kelly Creagh is fascinated by the life and works of Edgar Allan Poe. If you had to choose one author whose books have had the most influence on you, what author would you choose and why? What do you consider his or her best or most intriguing work? What kind of story might your chosen author inspire you to write? Answer these questions in a short essay.
Guide written by Stasia Kehoe
This guide has been provided by Simon & Schuster for classroom, library, and reading group use. It may be reproduced in its entirety or excerpted for these purposes.
Kelly Creagh is a 2008 graduate of Spalding University’s MFA in Creative Writing program. When not writing, haunting bookstore coffee shops, or obsessively studying Poe, Kelly’s passions include the ancient art of bellydance. She lives with her squirrely, attitude-infused dogs—Annabel, Jack, and Holly—in the heart of Old Louisville, Kentucky’s largest and spookiest Victorian neighborhood. Kelly is the author of the Nevermore trilogy. Visit her at KellyCreagh.com.
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