A Los Angeles–based art historian and critic, Suzanne Hudson is professor of art history and fine arts at the University of Southern California. A longtime contributor to Artforum, she is the author of the books Robert Ryman: Used Paint (2009), Agnes Martin: Night Sea (2017), and Contemporary Painting (2021). Supported by a New Directions Fellowship from the Andrew W. Mellon Foundation, she is pursuing research into the practical applications of art making for Better for the Making: Art, Therapy, Process, a study of the therapeutic origins of process within American modernism.
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