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Close Enough to Touch

A Novel


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About The Book

A “heart-wrenching and humorous” (Publishers Weekly) love story for anyone who’s ever wanted something—or someone—just out of reach, Colleen Oakley’s Close Enough to Touch will delight fans of Jojo Moyes’s One Plus One and Graeme Simsion’s The Rosie Project.

Can you miss something you never had?

Jubilee Jenkins is no ordinary librarian. With a rare allergy to human touch, any skin-to-skin contact could literally kill her. But after retreating into solitude for nearly ten years, Jubilee’s decided to brave the world again, despite the risks. Armed with a pair of gloves, long sleeves, and her trusty bicycle, she finally ventures out the front door—and into her future.

Eric Keegan has troubles of his own. With his daughter from a failed marriage no longer speaking to him, and his brilliant, if psychologically troubled, adopted son attempting telekinesis, Eric’s struggling to figure out how his life got so off course, and how to be the dad—and man—he wants so desperately to be. So when an encounter over the check-out desk at the local library entangles his life with that of a beautiful—albeit eccentric—woman, he finds himself wanting nothing more than to be near her.

A “heart-wrenching and humorous” (Publishers Weekly) love story for anyone who’s ever wanted something—or someone—just out of reach, Colleen Oakley’s Close Enough to Touch will delight fans of Jojo Moyes’s One Plus One and Graeme Simsion’s The Rosie Project.


Close Enough to Touch one

ONE TIME, A boy kissed me and I almost died.

I realize that can easily be dismissed as a melodramatic teenager-ism, said in a high-pitched voice bookended by squeals. But I’m not a teenager. And I mean it in the most literal sense. The basic sequence of events went like this:

A boy kissed me.

My lips started tingling.

My tongue swelled to fill my mouth.

My throat closed; I couldn’t breathe.

Everything went black.

It’s humiliating enough to pass out just after experiencing your first kiss, but even more so when you find out that the boy kissed you on a dare. A bet. That your lips are so inherently unkissable, it took $50 to persuade him to put his mouth on yours.

And here’s the kicker: I knew it could kill me. At least, in theory.

When I was six, I was diagnosed with type IV contact dermatitis to foreign human skin cells. That’s medical terminology for: I’m allergic to other people. Yes, people. And yes, it’s rare, as in: I’m only one of a handful of people in the history of the world who has had it. Basically, I explode in welts and hives when someone else’s skin touches mine. The doctor who finally diagnosed me also theorized that my severe reactions—the anaphylactic episodes I’d experienced—were either from my body over-reacting to prolonged skin contact, or oral contact, like drinking after someone and getting their saliva in my mouth. No more sharing food, drinks. No hugs. No touching. No kissing. You could die, he said. But I was a sweaty-palmed, weak-kneed seventeen-year-old girl inches away from the lips of Donovan Kingsley, and consequences weren’t the first thing on my mind—even if the consequences were deadly. In the moment—the actual breathless seconds of his lips on mine—I daresay it almost seemed worth it.

Until I found out about the bet.

When I got home from the hospital, I went directly to my room. And I didn’t come out, even though there were still two weeks left in my senior year. My diploma was mailed to me later that summer.

Three months later, my mom got married to Lenny, a gas-station-chain owner from Long Island. She packed exactly one suitcase and left.

That was nine years ago. And I haven’t left my house since.

I DIDN’T WAKE up one morning and think: “I’m going to become a recluse.” I don’t even like the word “recluse.” It reminds me of that deadly spider just lying in wait to sink its venom into the next creature that crosses its path.

It’s just that after my first-kiss near-death experience, I—understandably, I think—didn’t want to leave my house, for fear of running into anyone from school. So I didn’t. I spent that summer in my room, listening to Coldplay on repeat and reading. I read a lot.

Mom used to make fun of me for it. “Your nose is always stuck in a book,” she’d say, rolling her eyes. It wasn’t just books, though. I’d read magazines, newspapers, pamphlets, anything that was lying around. And I’d retain most of the information, without really trying.

Mom liked that part. She’d have me recite on cue—to friends (which she didn’t have many of) and to boyfriends (which she had too many of)—weird knowledge that I had collected over time. Like the fact that superb fairy wrens are the least faithful species of bird in the world, or that the original pronunciation of Dr. Seuss’s name rhymed with “Joyce,” or that Leonardo da Vinci invented the first machine gun (which shouldn’t really surprise anyone, since he invented thousands of things).

Then she’d beam and shrug her shoulders and give a smile and say, “I don’t know where she came from.” And I’d always wonder if that maybe was a little bit true, because every time I got the nerve to ask about my father—like, what his name was, for instance—she’d snap and say something like “What’s it matter? He’s not here, is he?”

Basically, I was a freak show growing up. And not just because I didn’t know who my father was or because I could recite random facts. I’m pretty sure neither of those are unique characteristics. It was because of my condition, which is how people referred to it: a condition. And my condition was the reason my desk in elementary school had to be at least eight feet away from the others. And why I had to sit on a bench by myself at recess and watch while kids created trains out of their bodies on the slide and played red rover and swung effortlessly on monkey bars. And why my body was clad in long sleeves and pants and mittens—cloth covering every square inch of skin on the off chance that the kids I was kept so far away from accidentally broke the boundaries of my personal bubble. And why I used to stare openmouthed at mothers who would squeeze their children’s tiny bodies with abandon at pickup, trying to remember what that felt like.

Anyway, combine all the facts—my condition, the boy-kissing-me-and-my-almost-dying incident, my mother leaving—and voilà! It’s the perfect recipe for becoming a recluse.

Or maybe it’s none of those things. Maybe I just like being alone.

Regardless, here we are.

And now, I fear that I’ve become the Boo Radley of my neighborhood. I’m not pale or sickly looking, but I’m afraid the kids on the street have started to wonder about me. Maybe I stare out the window too much when they’re riding their scooters. I ordered blue panel curtains and hung them on each window a few months ago, and now I try to stand behind them and peek out, but I’m worried that looks even more creepy, when I’m spotted. I can’t help it. I like watching them play, which I guess does sound creepy when I put it like that. But I enjoy seeing them have fun, bearing witness to a normal childhood.

Once, a kid looked directly into my eyes and then turned to his friend and said something. They both laughed. I couldn’t hear them so I pretended he said something like, “Look, Jimmy, it’s that nice, pretty lady again.” But I’m afraid it was more like, “Look, Jimmy, it’s that crazy lady who eats cats.” For the record, I don’t. Eat cats. But Boo Radley was a nice man, and that’s what everybody said about him.

THE PHONE IS ringing. I look up from my book and pretend to contemplate not answering it. But I know I will. Even though it means getting up from the worn indent of my velvet easy chair and walking the seventeen paces (yes, I’ve counted) into the kitchen to pick up the mustard-yellow receiver of my landline, since I don’t own a cell phone. Even though it’s probably one of the telemarketers who call on a regular basis or my mother, who only calls three or four times a year. Even though I’m at the part in my book where the detective and the killer are finally in the same church after playing cat and mouse for the last 274 pages. I’ll answer it for the same reason I always answer the phone: I like hearing someone else’s voice. Or maybe I like hearing my own.


Stand up.

Book down.

Seventeen paces.



It’s a man’s voice that I don’t recognize and I wonder what he’s selling. A time-share? A new Internet service with eight-times-faster downloads? Or maybe he’s taking a survey. Once I talked to someone for forty-five minutes about my favorite ice-cream flavors.


“It’s Lenny.”

Lenny. My mother’s husband. I only met him once—years ago, in the five months he and my mother were dating before she moved out to Long Island. The thing I remember most about him: he had a mustache and pet it often, as if it were a loyal dog attached to his face. He was also formal to the point of being awkward. I remember feeling like I should bow to him, even though he was short. Like he was royalty or something.


He clears his throat. “How are you?”

My mind is racing. I’m fairly certain this isn’t a social call since Lenny has never called me before.

“I’m OK.”

He clears his throat again. “Well, I’m just going to say it. Victoria—Vicki—” His voice breaks and he tries to disguise it with a little cough, which turns into a full-on fit. I hold the receiver with both hands to my ear, listening to him hack. I wonder if he still has a mustache.

The coughing spell over, Lenny inhales the silence. And then: “Your mother died.”

I let the sentence crawl into my ear and sit there, like a bullet a magician has caught with his teeth. I don’t want it to go any farther.

Still holding the receiver, I put my back against the wallpaper covered in cheerful pairs of red cherries and inch my butt down until I’m sitting on the cracked and tattered linoleum, and I think about the last time I saw my mother.

She was wearing a two-sizes-too-small mauve sweater set and pearls. It was three months after the Boy Kissed Me and I Almost Died, and as I mentioned, I had spent the summer mostly in my room. But I also spent a considerable amount of time shooting daggers at my mother whenever I passed by her in the hallway, seeing as how the whole incident would never have happened if she hadn’t moved us from Fountain City, Tennessee, to Lincoln, New Jersey, three years earlier.

But honestly, that was the least of her sins as a mother. It was just the most recent and most tangible to be angry with her for.

“It’s the new me,” she said, twirling at the bottom of the stairs. The movement caused the cloying scent of her vanilla body spray to waft through the air.

I was sitting in the velvet armchair rereading Northanger Abbey and eating Thin Mint cookies from a plastic sleeve.

“Doesn’t it just scream millionaire’s wife?”

It didn’t. It screamed slutty June Cleaver. I looked back down at my book.

I heard the familiar crinkling of cellophane as she dug in her back pocket for her pack of cigarettes, and the click of the lighter.

“I’m leaving in a few hours, you know.” She exhaled and slid onto a couch cushion across from me.

I looked up and she gestured toward the door at the one suitcase she had packed. (“That’s all you’re taking?” I had asked that morning. “What else would I need?” she said. “Lenny’s got everything.” And then she giggled, which was just as strange as her wearing pearls and a sweater set and twirling.)

“I know,” I said. Our eyes met, and I thought of the night before, as I lay in bed and heard the door to my room softly creak open. I knew it was her, but I remained still, pretending to sleep. She stood there for a long time—so long that I think I drifted off before she left. And I didn’t know if it was my imagination, or if I really did hear her sniffling. Crying. Now I wondered if maybe there was something she was trying to muster up the courage to say, some profound mother-daughter moment. Or at least an acknowledgment of her poor mothering skills where we’d laugh and say something banal like “Well, at least we survived, right?”

But sitting on the couch, she just inhaled her cigarette again and said: “So, I’m just saying, you don’t have to be so bitchy.”


I wasn’t sure how to respond to that, so I took another cookie out of the sleeve and put it in my mouth and tried not to think about how much I hated my mother. And how hating her made me feel so guilty that I hated myself.

She sighed, blowing out smoke. “Sure you don’t want to come with me?” she said, even though she knew the answer. To be fair, she had asked multiple times over the past few weeks in different ways. Lenny has plenty of space. You could probably have a whole guesthouse to yourself. Won’t you be lonely here all by yourself? I laughed at that last one—maybe it was some innate biology of being a teenager, but I couldn’t wait to be away from my mother.

“I’m sure,” I said, flipping a page.

We spent the last hour we’d ever spend together in silence—her chain-smoking, me pretending to be lost in my book. And then when the doorbell rang, announcing the arrival of her driver, she jumped up, patted her hair, and looked at me one last time. “Off I go,” she said.

I nodded. I wanted to tell her that she looked nice, but the words got caught in my throat.

She picked up her suitcase and left, the door easing shut behind her.

And there I sat, a book in my lap and an empty plastic cookie sleeve beside me. Half a cigarette was still smoldering in the ashtray on the coffee table, and I had a strong urge to pick it up. Put my lips to it—even though I knew it could kill me. Inhale my mother one last time.

But I didn’t. I just watched it burn.

And now, nine years later, my mother is dead.

The news isn’t out of nowhere, in the sense that about ten months ago, she mentioned that a suspicious scab on her scalp that refused to heal had been determined to be melanoma. She laugh-coughed and said, “Always thought it would be my lungs that got me.”

But Mom had a tendency to be overdramatic—like the time she got a mosquito bite, became convinced she had West Nile, and lay supine on the couch for three days—and I couldn’t be certain whether her pronouncement in subsequent months that she was dying was an actual diagnosis from a doctor or one of her elaborate schemes for attention.

Turns out, it was the former.

“The funeral is on Thursday,” Lenny says. “Would you like me to send a driver?”

The funeral. In Long Island. It feels as though a giant fist has reached into my chest and started squeezing. Tighter and tighter until there’s no air left at all. Is this what the beginning of grief feels like? Am I already grieving her? Or is it the thought of leaving the house that compresses my vital organs? I don’t know.

What I do know is that I don’t want to go—that I haven’t wanted to go anywhere for nine years—but saying it out loud would make me a terrible person. Who doesn’t go to their own mother’s funeral?

I also know it’s possible Mom’s Pontiac that’s been sitting in the driveway for nine years wouldn’t make the trip.

I gulp for air, hoping Lenny can’t hear the effort it’s taking me to breathe.

Finally, I answer: “You don’t need to send a driver,” I say. “I’ll figure it out.”

There’s a beat of silence.

“It starts at ten a.m. I’ll e-mail you the address,” Lenny says. And then I sense a shift in the air between us—a steeling of his voice, as though he’s running a board meeting and not discussing his dead wife with the stepdaughter he never claimed. “I know it may be an inappropriate time to discuss this, but I wanted to let you know your mother has left you the house, free and clear—I’ve paid off the balance of your mortgage and I’ll be transferring the deed—as well as her car, if you still have it. But, well, the checks she was sending you . . . I thought I should tell you as soon as possible that I won’t be continuing that specific tradition, so you’ll need to make other, ah . . . arrangements.”

My cheeks redden at the mention of my freeloading, and I have the urge to hang up the phone. I feel like a loser. Like those thirty-year-old men who live in the basement of their parents’ house, their mothers still washing their drawers and serving them grilled cheese with the crusts cut off. And I guess in a way, I am.

The first check arrived a week after she left.

I set it on the kitchen table and stared at it for three days every time I passed it. I had every intention of throwing it away. Maybe Mom wanted to live off Lenny’s money for the rest of her life, but I wasn’t interested.

And then the electricity bill came. And then the water. And then the mortgage.

I cashed the check.

I was eighteen and jobless and still trying to figure out what I was going to do with my life. Surely it involved some sort of employment and college education. So I swore to myself this would be the only time. That I wouldn’t take any more money.

When the next check came, three weeks later, I still didn’t have a job, but I didn’t feel like leaving the house to cash it, so I thought that would be the end of it. But on a break from an intense game of Bejeweled on the computer, I did a quick online search and learned that I could just mail the check into the bank and the money would magically show up in my account.

And then, as I returned to clicking on colorful gemstones and watching them satisfyingly disappear, I wondered what else I could do without leaving home.

Turns out, a lot.

It became sort of a game—a challenge to see what I could accomplish while sitting in my pajamas.

Groceries? Fresh Direct delivers.

College? I got an English degree in eighteen months from one of those online outfits. I’m not sure how legit it is, but the piece of paper they sent me is real enough. I wanted to keep going, get a master’s, maybe a PhD, but $400 per credit hour was depleting my already stretched budget, so I started taking a handful of the classes Harvard offers for free online every semester. Free. Makes you wonder why all those geniuses are paying hundreds of thousands of dollars for their Ivy League education.

Dentist? Floss regularly and brush after every meal. I haven’t had so much as a toothache, and I chalk it up to my good dental habits. And I’ve started to think that maybe dentistry is a racket.

When a neighbor left a note on my door alerting me that my grass was reaching unmanageable heights and he would appreciate my maintaining my lawn for the “integrity” of the neighborhood? I called a landscaping service to come once a month and left a check under the porch mat.

The trash presented a more difficult challenge. I couldn’t figure out a way to get it to the curb without actually going outside. It’s not that I couldn’t do that, of course, but now I was determined to not have to. To figure out this last piece of the puzzle. I’m not proud of it, but I called the city garbage service and told them I was disabled. They said if I could get my trash into the bin beside my back door, the workers would come around and get it every Thursday morning. And I felt a little buzz of pride at my deceitful cleverness.

Six months passed. Then a year. And there were times when I would stop and wonder if this was it. If I would live my life out this way, never seeing another soul in person again. But mostly, I just woke up every morning and lived my life like everyone else does—not thinking about the big picture, just doing my work for class, making dinner, watching the news, then getting up and doing it all over again. In that way, I didn’t think I was really different from anyone else.

Though my mother called sporadically over the years, to complain about the weather, a rude waiter, a bad ending to a TV series, to brag about one of the many trips she and Lenny were taking or to invite me for a holiday—even though she knew I wouldn’t come—we never discussed the money she was sending me. I was ashamed of taking it, but I had also convinced myself that I somehow deserved it. That she owed me for being kind of a selfish, crappy mother.

But I never meant for it to go on this long.

“I know you have your condition,” Lenny said, “but it’s something we never quite saw eye t—”

“I understand,” I say, the humiliation burning brighter with each second. But there’s a flare of anger mixed in—anger that my mom didn’t leave me any money on top of the house and car (even as I recognize how ungrateful that is), although I guess technically it’s Lenny’s money. Or maybe I’m angry at myself for becoming so dependent on those monthly checks. Or maybe it has nothing to do with the money. Maybe I’m mad that I didn’t take her up on her invitation to visit even once. Or invite her to visit me. Funny how when someone dies you momentarily forget all their faults, like how just talking to her on the phone was so emotionally draining, I didn’t ever want to see her in person. But now . . . now it’s too late.

“Well, then,” Lenny says.

There’s nothing left for us to say, so I wait for his good-bye. But then it’s silent for so long I wonder if maybe he already hung up and I somehow missed it.

“Lenny?” I say, at the exact moment he speaks.

“Jubilee, your mom really . . . ,” he says. His voice falters again. “Well, you know.”

I don’t know. My mom really what? Liked tight blouses? Smoked far too many cigarettes? Was impossible to live with? I hold on to the phone long after he’s hung up, hoping I’ll hear what he was going to say. That it somehow got caught in the ether between us and will materialize at any second. When I accept that it won’t, I let the receiver drop onto the floor beside me.

Minutes pass. Or maybe hours. But I don’t move—even when a staccato of beeps blares from the receiver, the phone insisting on being hung up.

My mother is dead.

I look around the kitchen, checking for subtle differences—comparing the before and after. If I can find one, then it’s evidence that maybe I’ve entered some alternate universe. That maybe mom is still alive in the other, real one. Or maybe I’ve read 1Q84 too many times.

I take a deep breath, and tears spring to my eyes. I’m not prone to outward displays of emotion, but today I just sit and let them fall.

THERE ARE UPSIDES to being a recluse. Like, it only takes me six minutes to wash the one plate, mug, fork that I use every day. (Yes, I’ve timed it.) And I don’t ever have to make small talk. I don’t have to nod and smile when someone says “Heard it might rain today,” or mumble something inane back like “The grass sure could use it, huh?” Really, I don’t have to worry about the weather, period. It’s raining? Who cares? I’m not going out in it.

But there are downsides, too. Like, late at night when I’m lying in bed listening to the dead-quiet of the street and wondering if maybe, just maybe, I’m the only person left on Earth. Or if there was a civil war or a superflu or a zombie apocalypse and nobody remembered to tell me, because nobody remembers I’m here. On those nights, I would think about my mom. She’d call me. She’d tell me. She’d remember. And a wave of comfort would wash over me.

But now, she’s gone. And I’m lying in bed, listening to the night air and wondering: Who’s going to remember me now?

THURSDAY BEGINS LIKE a normal day: I go downstairs and make two sunny-side-up eggs with toast (cut into tiny bite-size pieces after a choking incident four years ago) and eat it while reading the news online. But then, instead of clicking on the next lecture in my Harvard class (this week: “Shakespeare After All: The Later Plays”), I have to face that this day is not a normal day.

I will be leaving the house.

My heartbeat revs at the thought, so I try to distract myself with a more immediate problem: I have nothing to wear to my mother’s funeral. The only black things I own are a pair of sweatpants and a matching hoodie. Not exactly suitable funeral attire.

Upstairs, I walk down the hall to my mom’s room and stand in the doorway. For nine years, I’ve left her room exactly as it was when she walked out the door. Not in a creepy Miss Havisham kind of way. There’s no uneaten wedding cake on a table or anything. I told myself it’s because I just didn’t know what to do with her stuff, but part of me liked having her stuff where it’s always been. Like maybe she’d come back for it one day.

Except now, I guess, she won’t.

At my mom’s closet, I stand staring at her collection of women’s skirt suits circa the nineties from her days as a department store retail clerk. I remember trying on her clothes as a child when she was at work, letting the garments swim around me, inhaling her sugary scent. I’d even get in her bed, wrapping myself up in her blankets, pretending they were her arms. It was against the rules—the doctors warned that even though it appeared I only reacted to skin-on-skin contact, I had to still be careful around things that had prolonged contact with other people, like bedsheets and towels. Allergies are tricky, they said. But I took the risk, and fortunately never reacted. It was my little act of rebellion, but it was something else, too—the only way I could feel close to her. I pull a black suit jacket off its wire hanger and shrug it on over the white tank top I slept in.

I turn and look in the ornate mirror hung over Mom’s dresser, and I scrutinize myself for the first time in years. The realization that other people will be looking at me—seeing what I see in the reflection—churns my stomach. I haven’t had a proper haircut in years, relying on a few snips here and there with my nail scissors, and it shows. My hair’s never been obedient, but it’s grown especially unruly and wild in its freedom, brown curls crawling every which way from the crown of my head to my elbows. I try to smooth them down with the palm of my hand, to no avail.

Then I remember the suit I’m wearing and my eyes are drawn to the padded shoulders. It’s as if someone is asking me a question and I’m shrugging to indicate I don’t know the answer. The rest of the suit is slightly ill fitting. My mom was a little slip of a thing, aside from her large breasts. While I’m not much bigger, the sleeves are a tad too short, the skirt too snug around the waist. It will have to do.

As I bend down to look in the bottom of her closet for a pair of shoes, I swear I catch a whiff of vanilla body spray and my stomach lurches. I sit down on my butt, pull the lapel of the jacket up to my nose, and inhale.

But all I smell is musty fabric.

DOWNSTAIRS, I PICK up my handbag from the side table near the door. I rifle through it, eyeing the two bright yellow EpiPens clustered at the bottom. They expired years ago, but I convince myself they’ll still work in an emergency. And then I pick up my gloves. I wonder if I should put them on. I always found it kind of overkill as a child—the yellow knit gloves I wore in elementary school, graduating to more adultlike, but just as weird, leather gloves in high school. It’s not as if I was going out of my way to touch people—or them me. It’s not that hard to keep your hands to yourself, especially when you’re treated like a pariah. But then I think of all the ways people can make contact without even thinking about it: exchanging money at cash registers; handshakes; someone in a hurry pushing past you, their arm brushing yours.

I slip the gloves on.

Then, before I can change my mind, I snatch my keys off the table beside the front door, turn the handle, and step over the threshold.

The brightness of the blue September sky assaults my eyes and I squint, raising a hand to block the rays. It’s 7:34 a.m. and I’m outside. On the front porch. Though I’ve hurriedly opened the door under the cover of night to bring in packages left by the postman and my weekly grocery delivery, I can’t remember the last time I stood here. In broad daylight.

Blood rushes to my head and I clutch the door frame, dizzy. I feel exposed. As if a thousand eyes are on me. The air around me is too loose, shifty. As if a current could just pick me up and fling me unwilling into the world.

I will my foot to move. To step forward.

But it won’t. It’s as if I’m standing precariously on the edge of a cliff and one step will send me into the great abyss. The world will swallow me whole.

And that’s when I hear it.

The metal clanging and squeaking of the garbage truck turning onto the street.

I freeze.

It’s Thursday. Trash day.

My heart beats wildly against my chest, as if it’s trying to burst out of my body.

I search for the knob behind me, turn it, and step back inside, shutting the door firmly behind me.

Then I lean against it and concentrate on slowing my breath, so the rhythm of my heart can return to normal.



I glance at my gloved hands and snicker. And then a full burst of laughter escapes my lips and I reach up to my mouth with leather-clad fingers to suppress the sound.

What was I thinking? That I could just leave the house and go to my mother’s funeral like a normal person?

If I were normal, I would wave to the garbagemen. Or say hi. Or just ignore them completely and get in the car, as I’m sure other people do a hundred times a year without even thinking about it.

My shoulders begin shaking as my laughter mutates into crying.

I’m not going to my mother’s funeral. Lenny will wonder where I am. Anything my mom’s told him over the years about my being a bad daughter will be confirmed.

And while all of that is troublesome, another thought floats on the periphery of my brain, waiting to be let in. A terrifying thought. A thought that I realize maybe I’ve known deep down but haven’t wanted to admit to myself. But it’s hard to deny it when I’m leaning against the front door inside my house, unable to slow my heart or stem my tears or stop my body from shaking.

And that thought is: Maybe there’s another reason I haven’t left my house in nine years.

Maybe it’s because I can’t.

Reading Group Guide

This reading group guide for Close Enough to Touch includes an introduction, discussion questions, and ideas for enhancing your book club. The suggested questions are intended to help your reading group find new and interesting angles and topics for your discussion. We hope that these ideas will enrich your conversation and increase your enjoyment of the book.


Twenty-eight-year-old Jubilee Jenkins is allergic to other humans—yes, allergic to humans—and her life-threatening condition has made Jubilee not only a medical marvel but also a recluse. After a humiliating near-death experience in high school, Jubilee has spent the past nine years in the confines of the small-town New Jersey house her unaffectionate mother left to her when she ran off with a Long Island businessman. Now, after the death of her mother and loss of her financial support, Jubilee is forced to leave home and face the world once again.

But the constant threat—and growing desire—for human contact might prove too much for Jubilee when Eric Keegan, a man who just moved to town for work, and his adopted son, Aja, burst into Jubilee’s life.

Topics & Questions for Discussion

1. What effect does the alternating narrative between Jubilee’s and Eric’s perspectives have on your understanding of the events and characters in the book? How would the story have been different if it was just from Jubilee’s point of view?

2. Do you think Eric is a good dad to Aja? To Ellie? Why or why not? Compare and contrast his parenting style with that of Jubilee’s mother, Victoria. Consider the challenges each parent faces.

3. Why do you think Eric agreed to adopt Aja? How did that change his relationship with Stephanie? With Ellie?

4. How does Jubilee’s relationship with her mother affect her outlook on life? What would you do in her mother's shoes, having a child with a unique condition like Jubilee’s?

5. How is Jubilee affected by each of the people she interacts with as she reenters the world? How do they affect her perspective about her condition? Consider her interactions with Madison, Eric, Aja, Michael the pillow-golfer, and Louise.

6. Is Eric’s long-distance father-daughter book club experiment a success? What is so powerful about the shared reading experience? How has a book brought you closer to another family member or friend?

7. Why do you think Jubilee resists pursuing treatments or management for her condition? Why wouldn’t she want to see a doctor for an Epipen prescription?

8. Consider this quote: “People did stare at me in high school—like I was a curiosity—but I didn't think anyone ever noticed me. It’s a strange feeling, to be seen but invisible at the same time.” (p. 94) What is the difference between being seen and being noticed? Why is the difference important to Jubilee?

9. How has Jubilee’s nine-year seclusion affected her emotional maturity?

10. Discuss the importance of female friendship. How does Madison and Jubilee’s relationship affect each of the women?

11. Why is Jubilee the only adult who is able to get through to Aja? How do their shared experiences link them?

12. How does the truth about Jubilee’s condition change her relationship with Eric? With Madison?

13. Throughout the book, Jubilee starts to understand that her biggest fear isn’t actually physical touch but having emotional connections, only to be let down or disappointed by them. How does each character experience and deal with their own fears of vulnerability throughout the book?

14. Did the letter Jubilee found from her mother change your view of her? How so?

15. In the end, Jubilee asks Madison “if love is worth the risk.” How would you have answered that?

16. What was your reaction to the epilogue? Do you think Jubilee and Eric end up together for good? Why or why not?

Enhance Your Book Club

1. Share with your book club: If you didn’t leave your house for nine years, what would you miss the most? How would you make your way back into the world? What would you tackle first?

2. Hold your next book club meeting at a local library; arrive early to people-watch and witness how your local library is serving your community.

3. Like Eric’s daughter Ellie’s school assignment, keep a journal of impressions, notes, and questions during your reading of your next book club pick. Share your reading journal with your book club.

4. Learn more about the author Colleen Oakley at; follow her Facebook ( and Twitter ( for more updates about her books.

About The Author

Sarah Dorio

Colleen Oakley is an Atlanta-based writer and author of the novel Before I Go. Her articles, essays, and interviews have been featured in The New York Times, Ladies’ Home Journal, Marie Claire, Women’s Health, Redbook, Parade, and Martha Stewart Weddings. Before she was a freelance writer, Colleen was editor in chief of Women’s Health & Fitness and senior editor at Marie ClaireClose Enough to Touch is her second novel.

Product Details

  • Publisher: Gallery Books (August 15, 2017)
  • Length: 352 pages
  • ISBN13: 9781501139291

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Raves and Reviews

Praise for Close Enough to Touch

“The story of three wounded souls denied the human touch they desire, expertly conceived with all the warmth and affection of an enormous bear hug. A real achievement."

– Steven Rowley, national bestselling author of Lily and the Octopus

“A witty, inventive, and bittersweet story of a reclusive young woman forced to venture into the world where complex medical issues become tangled with longings of the heart.”

– Beth Hoffman, New York Times bestselling author of Saving CeeCee Honeycutt and Looking for Me

"It's so rare these days to find an utterly original heroine like Jubilee - one who is bravely living an almost unimaginable life. Gripping, raw, and moving, this is one of my favorite novels of the year."

– Sarah Pekkanen, bestselling author of Skipping a Beat and The Opposite of Me

"In Close Enough to Touch we meet Jubilee Jenkins, who has a life-threatening allergy to human touch, and Eric Keegan, a good guy whose life isn’t going according to plan. Colleen Oakley expertly weaves Jubilee and Eric’s stories together, ensuring we laugh a lot and cry a little as we fly through the pages. This is a heart-warming, unconventional love story you won’t be able to put down."

– Karma Brown, bestselling author of Come Away With Me and The Choices We Make

"Oakley delivers a story that overflows with compassion, humor, and the impulsive need to read just one more chapter until you reach the very satisfying end."

– Patti Callahan Henry, New York Times bestselling author of Driftwood Summer and Coming Up For Air

"Colleen Oakley writes a unique twist on love that I couldn’t read fast enough. With effortless charm, wit, and just a touch of heat (pun intended), Close Enough to Touch's offbeat characters warmed my heart with tender moments and heartbreaking revelations."

– Amy E. Reichert, author of The Coincidence of Coconut Cake and Luck, Love & Lemon Pie

“Heart wrenching and humorous, Oakley delivers an out-of-the-ordinary love story with steady quips and endearing characters… [Jubilee’s] journey from recluse to recovery is fascinating.”

– Publishers Weekly

"Oakley masterfully creates a high-stakes story that still feels solidly real. All of her characters are well-rounded and charming, especially Jubilee. Readers will cheer each time she takes a risk and delight in her triumphs. A romantic, sweet story about taking chances and living life fully."

– Kirkus Reviews

“Oakley’s sophomore novel is a treat… Fans of JoJo Moyes and rom-coms set within the stacks of libraries will rejoice.”

– Booklist

“It is easy to get lost in this vividly told story with characters and a fictional malady that are utterly believable. Oakley’s second novel should build on the author’s popularity and continue comparisons to popular authors such as Jojo Moyes.”

– Library Journal

“This novel is the ideal pick for book clubs or just for curling up with a rainy day read… [a] sweet story of love and life.”—

– RT Book Reviews (4 1/2 stars; an RT Top Pick)

"A humorous yet heart-wrenching love story.”

– Jezebel

"A breathtaking story about love with all the odds against it. Two lives coming together at a time when they are both learning how to live again. Colleen will tug at your heartstrings with this powerful and touching novel."

– Anna Todd, bestselling author of AFTER EVER HAPPY

“Collen Oakley’s gem of a novel, Close Enough to Touch, [is] a witty, quirky, and far more layered book than what initially meets the eye... Oakley, in this irresistible novel, succeeds in examining the myriad ways in which people relate to one another, even at arm’s length.”

– Atlanta Journal-Constitution

Praise for Before I Go

"Oakley expertly tugs at the heartstrings with well-rounded characters and a liberal dose of gallows humor."

– Publishers Weekly

"Highly recommended for laugh-out-loud fans and the tearjerker set."

– Library Journal

"This emotional novel will make readers laugh through their tears."

– Kirkus Reviews

“Oakley has produced an affecting work that, while avoiding maudlin sentimentality, makes the reader care about Daisy and her determination to live while dying.”

– Booklist

“Author Oakley has set herself a tricky balancing act here, blending a comic sensibility with the depth and poignancy her subject requires. She pulls it off.”

– People

“An impressive feat…an immensely entertaining, moving and believable read.”

– Atlanta Journal-Constitution

"Emotional, insightful novel."

– In Touch Magazine

"Oakley knocks it out of the park in her treatment of a very sensitive subject…pleasurable, thought-provoking reading."

– Athens Banner-Herald

“Colleen Oakley’s debut deftly balances sorrow with laughs and compassion.”

– US Weekly

"Colleen Oakley takes on the big three--life, death,and love--and delivers a jewel. Before I Go absolutely glows with humor, wit, and compassion. I adore Oakley’s fresh voice and could hardly bear for the book to end."

– Lynn Cullen, author of the national bestseller MRS. POE

"In Before I Go, Oakley address the oft-asked question: if you only had six months to live, what would you do? In her deft hands, what could easily turn maudlin becomes a funny and insightful journey with Daisy, and the love of her life, Jack. If you loved JoJo Moyes' Me Before You, this book is for you."

– Catherine McKenzie, bestselling author of HIDDEN and FORGOTTEN

"What would you do if you knew you were dying? This emotional debut and its gutsy heroine will have you laughing through tears and staying up late until you’ve reached the final, fully satisfying page.”

– Jennie Shortridge, author of LOVE WATER MEMORY

“Brilliant in its simplicity, beautiful in its sentiment, heartbreaking in its honesty, Colleen Oakley’s Before I Go takes on one of life’s ultimate cruelties, death before one's time, and makes us believe.”

– Susan Crandall, author of WHISTLING PAST THE GRAVEYARD

“BEFORE I GO is a big-hearted tale, with a fresh take on a woman grappling with the inevitable. The characters are approachable, full of wit and humor and--above all else--touching sincerity.”

– Suzanne Ridell, author of THE OTHER TYPIST

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