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About The Book

A NEW YORK TIMES EDITORS’ CHOICE * “An astonishing baller of a book…pitch perfect in voice (Tony Soprano meets Samuel Beckett)…Unputdownable.” —Mary Karr * “Hilarious, exceptional.” — The New York Times Book Review

A riotous, irreverent yet big-hearted debut novel about a broke father-son duo who go all-in on some of America’s deadliest obsessions.

Even though his firearms store is failing, things are looking up for David Rizzo. His son, Nick, has just recovered after a near-fatal overdose, which means one thing: Rizzo can use Nick’s resurrection to create the most compelling television commercial for a gun emporium the world has ever seen. After all, this is America, Rizzo tells himself. Surely anything is possible. But the relationship between father and son is fragile, mired in mutual disappointment. And when the pair embarks on their scheme to avoid bankruptcy, a high-stakes crash of hijinks, hope, and disaster ensues.

Featuring a cast of unforgettable characters and “honest, high-wire virtuosic writing” (George Saunders) this razor-sharp social satire “pays tribute to gallows humorists like Sam Lipsyte, Gary Shteyngart, Jonathan Tropper, and Jonathan Franzen” (Chicago Review of Books).

Reading Group Guide

This reading group guide for Last Acts includes an introduction, discussion questions, and ideas for enhancing your book club. The suggested questions are intended to help your reading group find new and interesting angles and topics for your discussion. We hope that these ideas will enrich your conversation and increase your enjoyment of the book.

[[Introduction]]

David Rizzo faces failure with an enviably hopeful resolve—even though his firearms store is failing, his health is failing, and his relationship with women, business associates, and his son are failing too, things are looking up for him. As far as he’s concerned, anything is possible in America. After his son, Nick, in recovery following a near-fatal overdose, returns home, Rizzo devises the perfect scheme to rescue his store: he and Nick will create the most compelling commercial for their family-owned gun emporium the world has ever seen. Together, Nick and Rizzo flounder about in the sublime landscape of Arizona, scraping together a life shaped equally by hope, success, and disaster.

In this insightful, funny, and heart-wrenching depiction of the opioid and gun crises, Sammartino presents a prismatic view of contemporary masculinity and American life, and the way people endeavor to survive it all.

Consider the first two lines of the book—Rizzo is brought to tears, not solely because his son has been saved, but because his son’s salvation will save his gun shop. How does this beginning work to characterize Rizzo and set the tone for the story?

The physical landscape of the American Southwest is described throughout the book in lyrical detail. How did the rich sense of place contribute to your experience of the novel?

Last Acts paints a complicated portrait of masculinity, comprising stubbornness and loneliness, but also nurturing and empathy. How do Rizzo and Nick represent both positive and negative manifestations of masculinity? What do you think the idea of “masculinity” means to each of these characters, and how are they measuring up against their own expectations for themselves?

Various characters in the book seem to believe some sort of conspiracy theory. Point to one conspiracy theory–like belief in the novel that stood out to you. What does the character’s espousal of this belief tell you about him or her?

Rizzo is described as a “guy who has stumbled beyond his prime.” In what ways has Rizzo been shaped by his mistakes, for better or for worse?

There are only a few moments that offer glimpses into Nick’s childhood. What do you think Nick was like as a child, and in your opinion, how have his environment and family shaped him into the man we meet in Last Acts?

Satire works to highlight human and societal flaws. What flaws were exposed in this novel? Which parts of the book did you read as purely satirical and which parts seemed most sober and true to life?

Nick relapses after years of sobriety. What pressures push him to relapse at that point in the novel?

In the beginning of the book, Rizzo has not seen his son for a year. Later, they go through bouts of living together and apart. Chart the shifts in their relationship. Do you think their relationship is stronger by the end of the book? Why, or why not?

The threat of death pervades the book: Nick literally dies, Rizzo struggles with hypochondria (and real-life health scares, which he largely ignores), and the opioid and gun crises loom as existential threats to them and others across the country. How do Nick’s and Rizzo’s approaches to death (their own or of those around them) differ?

“Nick liked the idea of reducing himself to a single decision, a last act” (page 178). What do you think is the “last act” Nick had in mind, and why is he attracted to this idea?

Consider the epigraph at the very beginning of the book. Who is the “errant man” (or men) in Last Acts? What does the quote mean to you, having now completed the novel? Have Rizzo and Nick finished erring by its end, or do they remain astray in errancy?

Enhance Your Book Club

Find philanthropic organizations that are working to combat the opioid and gun crises. Consider donating your group’s time or money to this cause.

Read the book Dopesick: Dealers, Doctors, and the Drug Company that Addicted America and watch the Hulu miniseries for further depiction of the opioid crisis and its causes.

About The Author

Photograph by Jonathan Aprea

Alexander Sammartino was born in Rhode Island and grew up in Arizona. He majored in philosophy and English at Syracuse University, which is also where he received his MFA in fiction. He lives in Brooklyn with his wife and cat. Last Acts is his first novel.

Product Details

  • Publisher: Scribner (January 23, 2024)
  • Length: 224 pages
  • ISBN13: 9781982196752

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Raves and Reviews

"A magnificent sentence writer, with a gift for pulling poetry out of an American vernacular that recalls the early work of George Saunders… While many novelists are struggling to figure out how best to address the state of the nation — centerless, ridiculous and terrifying, doomed yet trivial, dire yet unheroic — Sammartino seems to have cracked the code.”—Dan Chaon, The New York Times Book Review

“A wholly American novel about salvation.”—Matthew Minicucci, The Pittsburgh Post-Gazette

"Raucous, irreverent... Last Acts pays tribute to gallows humorists like Sam Lipsyte, Gary Shteyngart, Jonathan Tropper, and Jonathan Franzen."—Max Gray, Chicago Review of Books

"The events of this satirical début novel are catalyzed by a nearly fatal opioid overdose suffered by the estranged son of a gun-store proprietor. Together, the father and son embark on a journey across the Arizona desert.”–The New Yorker

"There is so much grim humor in Sammartino's debut novel, such a keen eye for the details of rage and heartbreak, such empathy for humiliation, that we enjoy the ride, wincing and laughing along the way... In Rizzo, we have a uniquely contemporary loser for the ages."—Claude Peck, Minneapolis Star Tribune

"Sammartino is an astonishingly deft writer; it’s hard to believe Last Acts is his first novel."—Hudson Review

"What a taut, energetic, tender, and wholly original debut novel Alexander Sammartino has written. He knows something deep about the dark heart of America that somehow doesn’t stop him from writing about it with genuine, goofy love."—George Saunders, author of Liberation Day

"Sammartino’s promising debut offers keen insights into gun violence, drug addiction, and capitalism along with a skewering satire of social media... A sobering tale full of heart.”—Booklist

"Acerbic... [Last Acts] satisfies on multiple levels."—Publisher's Weekly

"Last Acts announces a brilliant new voice. Sammartino is precise, funny and will break your heart all at once. Not to be missed."—Nana Kwame Adjei-Brenyah, author of Chain-Gang All-Stars

"It's hard to believe Last Acts is a first novel. Sammartino's brilliance and originality shine out from every page of this masterful debut."—Jenny Offill, author of Weather

"An astonishing baller of a book so pitch perfect in voice (Tony Soprano meets Samuel Beckett) I predict it'll be the sleeper hit of the year... Yes it's a send up of American masculinity circling the drain. Or is it? This funny as hell tale moved me to the core. Unputdownable."—Mary Karr, author of Lit and Tropic of Squalor

"A sad, hilarious father-son redemption story that touches every American third rail: guns, drugs, religion... Spot-on about the dark societal carnival we’re all doing our best to survive.”—Jonathan Dee, author of Sugar Street

"Last Acts is an astonishingly strong debut, big hearted and hilarious... Rizzo is a singular and great American character: a tender-but-obtuse father, a confidence man with no confidence, a charismatic loser with a voice you can’t help but love."—Dana Spiotta, author of Wayward

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