"A surreal, hilarious, and dark story of a troubled adolescence deep in the wilds of Scotland. I once decided to become friends with someone on the sole basis that she named O Caledonia as her favourite book." —Maggie O'Farrell, author of Hamnet

"Though the novel opens with Janet newly dead, murdered on a staircase, it is full of life, energized by Ms. Barker’s thistle-sharp eye for natural detail." —The New York Times

“If you need proof that novels are the best available technology for placing yourself inside the consciousness of an imaginary figure, “O Caledonia” makes a strong case.” —Molly Young, The New York Times

“This is an extraordinary novel: original, beautiful yet tough, with a sympathetic outsider of a heroine whose tragic fate is depicted on the very first page. . . . Barker’s love of the classics, her focus on mothers and daughters, and her remarkable evocation of landscape, should mark her out as one of Scotland’s principal writers.” —Financial Times

“Elspeth Barker’s is a wholly original literary voice. . . . Steeped in classical allusions, rich in Scottish and natural history, fantastical in its highly wrought characters, this coming-of-age-novella is as passionately intense as it is wittily acerbic. . . . Propelled by the sheer force of words, the horrors and humours plunge on, observed by an eye both youthful and perspicacious. . . . The reader feels unalloyed joy, and occasional winces, on every page.” —The Independent

“O Caledonia is like a bunch of flowers. Vivid images are handed to the reader one after the other and the colours are often freakish.” —The Guardian

“Like I Capture the Castle if it had been written by Shirley Jackson, O Caledonia is biting, comic, and endlessly charming.”—Vox

“O Caledonia delights in defying convention. It is a brooding, scintillating coming-of-age tale, full of delicate fashionings... a lyrical evocation and a hymn to originality.”—The Economist

“O Caledonia is a Gothic coming-of-age story, the Brontes and Poe via Dodie Smith and Edward Gorey. Funny, surprising, exquisitely written—and brilliant on the smelly, absurd, harsh business of growing-up.” —David Nicholls, author of One Day

“A sparky, funny work of genius about class, romanticism, social tradition and literary tradition, and one of the best least-known novels of the 20th century.” —Ali Smith

“A wonderful oddity—brief, vivid, eccentric, written with ferocious zest and black humour.” —Penelope Lively

“Witty, civilized. . . . With ravishing descriptions of nature which manage to be simultaneously rapturous and precise.” —New York Review of Books

“A poetic and passionate description of adolescence. The words sing in their sentences. A world is evoked that has shades of the Brontë sisters and of Poe. . . . O Caledonia sets dreams and longing against Scottish righteousness and judgement, and the resolution is the blade of a skinning knife.” —The Times (London)

“An absolute sumptuous treat of a book.” —Elizabeth Macneal, author of The Doll Factory

“A poetic and blackly comic account of an unhappy childhood in a remote setting, recreated so sensuously it makes you feel the wind on the heath. Exquisite.” —Independent on Sunday

“Beautifully written. . . . A remarkable debut.” —Times Literary Supplement

“Animals, Sir Walter Scott’s ‘alert and wild’ Caledonia, and literature are central to Elspeth Barker’s marvellously worked and wielded first novel. The love of words, the recognition of their power to give a pulse-beat to narrative, made me think of Djuna Barnes as I read, and re-read, for pleasure O Caledonia.” —Glasgow Herald

“A novel which, like its heroine, is unique. Poetry flows as rich as blood through the veins of this narrative.” —Scotsman

“Beautifully lyrical evocations of place and emotion.” —Kirkus