Look out for the Netflix original movie starring Lana Condor and Noah Centineo in 2020!
In this highly anticipated sequel to the “lovely, lighthearted” (School Library Journal) New York Times bestselling To All The Boys I’ve Loved Before, Lara Jean still has letters to write and even more to lose when it comes to love.
Lara Jean didn’t expect to really fall for Peter.
She and Peter were just pretending. Except suddenly they weren’t. Now Lara Jean is more confused than ever.
When another boy from her past returns to her life, Lara Jean’s feelings for him return too. Can a girl be in love with two boys at once?
In this charming and heartfelt sequel to the New York Times bestseller To All the Boys I’ve Loved Before, we see first love through the eyes of the unforgettable Lara Jean. Love is never easy, but maybe that’s part of makes it so amazing.
KITTY’S BEEN A LITTLE COMPLAINER all morning, and I suspect both Margot and Daddy are suffering from New Year’s Eve hangovers. And me? I’ve got hearts in my eyes and a letter that’s burning a hole in my coat pocket.
As we’re putting on our shoes, Kitty’s still trying to weasel her way out of wearing a hanbok to Aunt Carrie and Uncle Victor’s. “Look at the sleeves! They’re three-quarter length on me!”
Unconvincingly Daddy says, “They’re supposed to be that way.”
Kitty points to me and Margot. “Then why do theirs fit?” she demands. Our grandma bought the hanboks for us the last time she was in Korea. Margot’s hanbok has a yellow jacket and apple-green skirt. Mine is hot pink with an ivory-white jacket and a long hot-pink bow with flowers embroidered down the front. The skirt is voluminous, full like a bell, and it falls all the way to the floor. Unlike Kitty’s, which hits right at her ankles.
“It’s not our fault you grow like a weed,” I say, fussing with my bow. The bow is the hardest thing to get right. I had to watch a YouTube video multiple times to figure it out, and it still looks lopsided and sad.
“My skirt’s too short too,” she grumps, lifting the bottom.
The real truth is, Kitty hates wearing a hanbok because you have to walk delicately in it and hold the skirt closed with one hand or the whole thing comes open.
“All of the other cousins will be wearing them, and it will make Grandma happy,” Daddy says, rubbing his temples. “Case closed.”
In the car Kitty keeps saying “I hate New Year’s Day,” and it puts everyone but me in a sour mood. Margot is already in a semi-sour mood because she had to wake up at the crack of dawn to get home from her friend’s cabin in time. There’s also the matter of that maybe hangover. Nothing could sour my mood, though, because I’m not even in this car. I’m somewhere else entirely, thinking about my letter to Peter, wondering if it was heartfelt enough, and how and when I’m going to give it to him, and what he’ll say, and what it will mean. Should I drop it in his mailbox? Leave it in his locker? When I see him again, will he smile at me, make a joke of it to lighten the mood? Or will he pretend he never saw it, to spare us both? I think that would be worse. I have to keep reminding myself that, despite everything, Peter is kind and he is easygoing and he won’t be cruel no matter what. Of that much I can be sure.
“What are you thinking so hard about?” Kitty asks me.
I barely hear her.
I close my eyes and pretend to be asleep, and all I see is Peter’s face. I don’t know what I want from him exactly, what I’m ready for—if it’s boyfriend-girlfriend heavy-duty serious love, or if it’s what we had before, just fun and some here-and-there kisses, or if it’s something in between, but I do know I can’t get his Handsome Boy face out of my mind. The way he smirks when he says my name, how when he’s near me I forget to breathe sometimes.
Of course, when we get to Aunt Carrie and Uncle Victor’s, none of the other cousins are wearing hanboks, and Kitty practically turns purple with the effort of not yelling at Daddy. Margot and I give him some side-eye too. It’s not particularly comfortable to sit around in a hanbok all day. But then Grandma gives me an approving smile, which makes up for it.
As we take off our shoes and coats at the front door, I whisper to Kitty, “Maybe the adults will give us more money for dressing up.”
“You girls look so cute,” Aunt Carrie said as she hugs us. “Haven refused to wear hers!”
Haven rolls her eyes at her mom. “I love your haircut,” she says to Margot. Haven and I are only a few months apart, but she thinks she’s so much older than me. She’s always trying to get in with Margot.
We get the bowing out of the way first. In Korean culture, you bow to your elders on New Year’s Day and wish them luck in the new year, and in return they give you money. The order goes oldest to youngest, so as the oldest adult, Grandma sits down on the couch first, and Aunt Carrie and Uncle Victor bow first, then Daddy, all the way down the line to Kitty, who is youngest. When it’s Daddy’s turn to sit on the couch and receive his bows, there’s an empty couch cushion next to him as there has been every New Year’s Day since Mommy died. It gives me an achy feeling in my chest to see him sitting there alone, smiling gamely, handing out ten-dollar bills. Grandma catches my eye pointedly and I know she’s thinking the same thing. When it’s my turn to bow, I kneel, hands folded in front of my forehead, and I vow that I will not see Daddy alone on that couch again next year.
We get ten dollars from Aunt Carrie and Uncle Victor, ten from Daddy, ten from Aunt Min and Uncle Sam, who aren’t our real aunt and uncle but second cousins (or is it cousins once removed? They’re Mommy’s cousins, anyway), and twenty from Grandma! We didn’t get more for wearing hanboks, but all in all a good take. Last year the aunts and uncles were only doing five apiece.
Next we do rice cake soup for good luck. Aunt Carrie also made black-eyed pea cakes and insists we try at least one, though no one wants to. The twins, Harry and Leon—our third cousins? Cousins twice removed?—refuse to eat the soup or the black-eyed pea cakes and are eating chicken nuggets in the TV room. There isn’t enough room at the dining table, so Kitty and I eat on stools at the kitchen island. We can hear everyone laughing from over here.
As I begin to eat my soup, I make a wish. Please, please let things work out with me and Peter.
“Why do I get a smaller bowl of soup than everyone else?” Kitty whispers to me.
“Because you’re the littlest.”
“Why don’t we get our own bowl of kimchi?”
“Because Aunt Carrie thinks we don’t like it because we’re not full Korean.”
“Go ask for some,” Kitty whispers.
So I do, but mainly because I want some too.
While the adults drink coffee, Margot, Haven, and I go up to Haven’s room and Kitty tags along. Usually she plays with the twins, but this time she picks up Aunt Carrie’s Yorkie, Smitty, and follows us upstairs like one of the girls.
Haven has indie rock band posters on her walls; most I’ve never heard of. She’s always rotating them out. There’s a new one, a letterpressed Belle and Sebastian. It looks like denim. “This is cool,” I say.
“I was just about to switch that one out,” Haven says. “You can have it if you want.”
“That’s all right,” I tell her. I know she’s only offering it to feel above me, as is her way.
“I’ll take it,” Kitty says, and Haven’s face pulls into a frown for a second, but Kitty’s already peeling it off the wall. “Thanks, Haven.”
Margot and I look at each other and try not to smile. Haven’s never had much patience for Kitty, and the feeling is infinitely mutual.
“Margot, have you been to any shows since you’ve been in Scotland?” Haven asks. She plops down on her bed and opens up her laptop.
“Not really,” Margot says. “I’ve been so busy with classes.” Margot’s not much of a live-music person anyway. She’s looking at her phone; the skirt of her hanbok is fanned around her. She’s the only one of us Song girls still fully clothed. I’ve taken off my jacket, so I’m just in the slip and skirt, and Kitty’s taken off both the jacket and the skirt and is just wearing an undershirt and bloomers.
I sit down on the bed next to Haven so she can show me pictures from their vacation to Bermuda on Instagram. As she’s scrolling through her feed, a picture from the ski trip pops up. Haven’s in the Charlottesville Youth Orchestra, so she knows people from a lot of different schools, including mine.
I can’t help but sigh a little when I see it—a picture of a bunch of us on the bus the last morning. Peter has his arm around me, he’s whispering something in my ear. I wish I remembered what.
All surprised, Haven looks up and says, “Oh, hey, that’s you, Lara Jean. What’s this from?”
“The school ski trip.”
“Is that your boyfriend?” Haven asks me, and I can tell she’s impressed and trying not to show it.
I wish I could say yes. But—
Kitty scampers over to us and looks over our shoulders. “Yes, and he’s the hottest guy you’ve ever seen in your life, Haven.” She says it like a challenge. Margot, who was scrolling on her phone, looks up and giggles.
“Well, that’s not exactly true,” I hedge. I mean, he’s the hottest guy I’ve ever seen in my life, but I don’t know what kind of people Haven goes to school with.
“No, Kitty’s right, he’s hot,” Haven admits. “Like, how did you get him? No offense. I just thought you were the non-dating type.”
I frown. The non-dating type? What kind of type is that? A little mushroom who sits at home in a semidark room growing moss?
“Lara Jean dates plenty,” Margot says loyally.
I blush. I date never, Peter barely even counts, but I’m glad for the lie.
“What’s his name?” Haven asks me.
“Peter. Peter Kavinsky.” Even saying his name is a remembered pleasure, something to savor, like a piece of chocolate dissolving on my tongue.
“Ohh,” she says. “I thought he dated that pretty blond girl. What’s her name? Jenna? Weren’t you guys best friends when you were little?”
I feel a pang in my heart. “Her name is Genevieve. We used to be friends, not anymore. And she and Peter have been broken up for a while.”
“So then how long have you and Peter been together?” Haven asks me. She has a dubious look in her eye, like she 90 percent believes me but there’s still that niggling 10 percent that has doubt.
“We started hanging out in September.” At least that much is true. “We’re not together right now; we’re kind of on a break. . . . But I’m . . . optimistic.”
Kitty pokes my cheek, makes a dimple with her pinky. “You’re smiling,” she says, and she’s smiling too. She cuddles closer to me. “Make up with him today, okay? I want Peter back.”
“It’s not that simple,” I say, though maybe it could be?
“Sure it’s that simple. He still likes you a lot—just tell him you still like him, too, and boom. You’re back together and it’ll be like you never kicked him out of our house.”
Haven’s eyes go even wider. “Lara Jean, you broke up with him?”
“Geez, is it so hard to believe?” I narrow my eyes at her, and Haven opens and then wisely closes her mouth.
She takes another look at the picture of Peter. Then she gets up to go to the bathroom, and as she closes the door, she says, “All I can say is, if that boy was my boyfriend, I’d never let him go.”
My whole body tingles when she says those words.
I once had that exact same thought about Josh, and look at me now: It’s like a million years have gone by and he’s just a memory to me. I don’t want it to be like that with Peter. The farawayness of old feelings, like even when you try with all your might, you can barely make out his face when you close your eyes. No matter what, I always want to remember his face.
When it’s time to go, I’m putting on my coat and Peter’s letter falls out of my pocket. Margot picks it up. “Another letter?”
I blush. In a rush I say, “I haven’t figured out when I should give it to him, if I should leave it in his mailbox, or if I should actually mail it? Or face to face? Gogo, what do you think?”
“You should just talk to him,” Margot says. “Go right now. Daddy will drop you off. You go to his house, you give him the letter, and then you see what he says.”
My heart pumps wildly at the thought. Right now? Just go over there, without calling first, without a plan? “I don’t know,” I hedge. “I feel like I should think it over more.”
Margot opens her mouth to respond, but then Kitty comes up behind us and says, “Enough with the letters. Just go get him back.”
“Don’t let it be too late,” Margot says, and I know she’s not just talking about me and Peter.
I’ve been tiptoeing around the subject of Josh because of everything that’s happened with us. I mean, Margot’s forgiven me, but there’s no sense in rocking the boat. So these past couple of days I’ve stayed silently supportive and hoped that was enough. But Margot leaves for Scotland again in less than a week. The thought of her leaving without at least talking to Josh doesn’t feel right to me. We’ve all been friends for so long. I know Josh and I will mend things, because we’re neighbors, and that’s how it goes with people you see a lot. They mend, almost on their own. But not so for Margot and Josh, with her so far away. If they don’t talk now, the scar will only harden over time, it will calcify, and then they’ll be like strangers who never loved each other, which is the saddest thought of all.
While Kitty’s putting on her boots, I whisper to Margot, “If I talk to Peter, you should talk to Josh. Don’t go back to Scotland and leave things like this with him.”
“We’ll see,” she says, but I see the hope that flares in her eyes, and it gives me hope too.
Jenny Han is the #1 New York Times bestselling author of the To All the Boys I’ve Loved Beforeseries, now a Netflix movie. She is also the author of The Summer I Turned Pretty series, Shug, and Clara Lee and the Apple Pie Dream. She is the coauthor of the Burn for Burn trilogy, with Siobhan Vivian. Her books have been published in more than thirty languages. A former librarian, Jenny earned her MFA in creative writing at the New School. She lives in Brooklyn, New York.
"Lara Jean’s personality—goofy, awkward, prone to strong emotions, and entirely naïve when it comes to boys—give this touching story an individuality and charm all its own. Han creates a realistically flawed cast, especially half-Korean Lara Jean and her sisters, who work hard to be good to one another after their mother’s death (even when they’re at one another’s throats)."
– Publishers Weekly, starred review on To All the Boys I've Loved Before
"An ultimately compelling exploration of teenage growth and young love."
– Kirkus, on To All the Boys I've Loved Before
A wonderful choice for fans of Sarah Dessen and Stephanie Perkins.
– Booklist, March 15, 2014
In this lovely, lighthearted romance...readers will remember the Song sisters and the boys in their lives long after the final page turn.
– School Library Journal, Starred review on To All the Boys I've Loved Before
"The sparkling dialogue, heartwarming sister relationships, and honest talk make this a must-have title for teen collections."
– School Library Journal
"A sweet and charming sequel that is sure to be devoured by fans of the first book."