“To blurb a poetry collection is often to participate in a tradition of commercial hyperbole that great poetry itself resists; books like Madeleine Cravens’s brilliant and utterly crystalline debut make this contradiction all the starker. Here is a poetics of quiet resistance and shining anti-epiphany, of queer surplus matched with lyric understatement. Spare yet lush, cerebral yet sensual, Pleasure Principle draws our attention toward a world at once lovable and unlivable, where, if we are very attentive, we might find ‘not the pleasure of lessons but the pleasure of errors.’” —Maggie Millner, author of Couplets

“In Madeleine Cravens’s Pleasure Principle, a tough particularness operates perfectly in tandem with a subtle musicality and a relentlessness of vision, a commitment to saying what has been experienced just as it was experienced, and what has been imagined as if it had been experienced. And yet these poems are also poems that acknowledge the world as governed by possibility as much as by pattern—when Cravens writes, ‘There was a world inside the world. I wanted the hard pit,’ she is writing her way toward a possible world, the world in the seed in the world. This book is itself such a seed, both the beginning of a poet and a renewal of poetry.” —Shane McCrae, author of Pulling the Chariot of the Sun

“Madeleine Cravens’s Pleasure Principle draws the world with an astounding clarity of vision, yet every setting is infused with tenderness. These are taut and quiet poems, driven by an exhilarating lyric sensibility. The book begins where a photograph would end—her lines hum with the frequency of unseen light, hidden desires, forgotten objects, and memories retrieved from the mystery of childhood. A truly wonderful debut announcing a poet assured of her voice.” —Aria Aber, author of Hard Damage