“An eerily lifelike re-creation of 1850s London laced with a smart feminist critique of Western aesthetics. It’s a perfect blend of froth and substance, a guilty pleasure wrapped around a provocative history lesson.” The Washington Post

“A harrowing and a bewitching adventure.” The New York Times

"A stunningly confident first novel with a real sense of period and place . . . thoroughly engrossing."

– Ian Rankin, New York Times bestselling author of RATHER BE THE DEVIL

"This brilliant literary thriller gripped me from the opening page and didn’t relinquish its hold until I’d read the final sentence. The Doll Factory conjures 1850s London in all its grime and glory, possibility and restriction in absorbing, immersive detail. Elizabeth Macneal has created that rare thing: a beautifully researched historical novel with a plot to stop your heart. If this is her first book, I can barely wait to see what she writes next."

– Hannah Kent, award-winning author of BURIAL RITES and THE GOOD PEOPLE

“A stunning novel that twines together power, art, and obsession. At every turn expectations are confounded—it’s a historical novel and yet feels incredibly relevant and timely. I loved its warmth, its wry humour, and the way each small thread leads into an unbearably tense and chilling denouement that had me totally gripped.”

– Sophie Mackintosh, Man Booker Prize-longlisted author of The Water Cure

“I loved THE DOLL FACTORY from the very first page and couldn’t do anything else until I’d read right to the end. An exquisite novel of obsession, delusion, resilience and love, Elizabeth Macneal really is a breathtaking new talent.”

– AJ Pearce, internationally bestselling author of DEAR MRS. BIRD

“An astonishingly good debut. The Doll Factory reminded me of The Crimson Petal and the White, Fingersmith, and Vanity Fair but had a richness of tone that was uniquely its own. Macneal writes with utter mastery, creating a lushly intricate world peopled by living, breathing characters you can’t help but fall in love with and a plot that rattles like a speeding carriage to its thrilling conclusion. I couldn’t put it down. You won’t be able to either.”

– Elizabeth Day, award-winning author of The Party

“With strong echoes of John Fowles’ The Collector, The Doll Factory is at once a vivid depiction of a morally dubious world, and a page-turning psychological thriller, with a truly compelling villain.”

– Essie Fox, critically acclaimed author of The Somnambulist

“A sharp, scary, gorgeously evocative tale of love, art, and obsession.”

– Paula Hawkins, internationally bestselling author of The Girl on the Train

“Engrossing and atmospheric. Fascinating real historical background (the Pre-Raphaelites) and super invented characters. I can practically see the TV version!”

– Adele Geras, award-winning author of The Ballet Class

“A gripping, artfully written historical novel with a highly contemporary sensibility. The setting—19th century London full of pomp, grime and menace—plays just one part in an immersive and intellectually satisfying narrative that interrogates gender politics, classism, relationships, artistic obsession and erotomania with a painterly eye and gleefully dark heart. Part love story, part gothic novel and leading up to a truly breathless conclusion, this book is destined to be one of the biggest titles of 2019, deservedly so.”

– Sharlene Teo, award-winning author of Ponti

"Fantastic - vivid, poignant, colourful, and elegantly horrifying."

– Bridget Collins, internationally bestselling author of THE BINDING

"THE DOLL FACTORY is brilliant, with a refreshingly original quality, beautifully orchestrated narrative, great characters and some fascinating background detail."

– Andrew Taylor, No. 1 Sunday Times bestselling author of THE ASHES OF LONDON and THE AMERICAN BOY

"THE DOLL FACTORY is one of the best books I’ve read in ages – heartbreaking and evocative. Elizabeth Macneal draws a vivid picture of life in 1850s London, exploring the world of the pre-Raphaelites and examining the position of women through her unforgettable heroine. At the same time, Elizabeth creates a perfectly structured and page-turning story of love and passion; crime and obsession. A wonderful and intense novel. I loved it."

– Jenny Quintana, author of THE MISSING GIRL

"A remarkably assured and beautifully written debut, filled with sinister delights and intriguing themes of imprisonment and objectification. A truly captivating read."

– E C Fremantle, author of THE POISON BED