In ​the second age of the world, a time of prehistory, a time of myth, Mandodari, queen of the demon king Ravana, invents chess to carve out a role for herself in a world where male, martial virtues are paramount. As a chess player, she can play at warfare; as queen, she can be the most potent warrior on the battlefield. The ​Queen's Play attempts to ​write the origin of chess into the narrative​ cycles​ of ​the​ Ramayana, one of the two formative epics of ancient India.​The cursory mention ​of a chess-like game in the Ramayana lore ​offer​s​ interesting parallels and openings between the game and the themes of the epic poem. ​At the centre of it is a queen​, ​first entering and then growing from strength to strength to become the most powerful piece on the board, ​inventing a game which closely parallels the epic battle taking place not far from the royal palace, a battle which she is not permitted to join, a battle where she will lose her king. Foregrounding certain episodes from the vast tapestry of the epic, the novel develops new narrative variations​ that feed back into the classical text with freshly imagined material​.​