In her fifteenth novel in the popular Bones series, #1 New York Times bestselling author Kathy Reichs delivers a story of infanticide, murder, and corruption set in the high-stakes, high-danger world of diamond mining.
A woman calling herself Amy Roberts checks into a Montreal hospital complaining of uncontrolled bleeding. Doctors see evidence of a recent birth, but before they can act, Roberts disappears. Dispatched to the address she gave at the hospital, police discover bloody towels outside in a dumpster. Fearing the worst, they call Temperance Brennan to investigate.
Inside the run-down apartment, Tempe makes a ghastly discovery: the decomposing bodies of three infants. According to the landlord, a woman named Alma Rogers lives there. Then a man shows up looking for Alva Rodriguez. Are Amy Roberts, Alma Rogers, and Alva Rodriguez the same person? Did she kill her own babies? And where is she now?
Heading up the investigation is Tempe’s old flame, homicide detective Andrew Ryan. His counterpart from the Royal Canadian Mounted Police is sergeant Ollie Hasty, who happens to have a little history with Tempe himself. The unlikely trio follows the woman’s trail, first to Edmonton and then to Yellowknife, a diamond-mining city in the Northwest Territories. What they discover in Yellowknife is more sinister than they ever could have imagined.
Bones are Forever THE BABY’S EYES STARTLED ME. SO ROUND AND WHITE AND pulsing with movement.
Like the tiny mouth and nasal openings.
Ignoring the maggot masses, I inserted gloved fingers beneath the small torso and gently lifted one shoulder. The baby rose, chin and limbs tucked tight to its chest.
Flies scattered in a whine of protest.
My mind took in details. Delicate eyebrows, almost invisible on a face barely recognizable as human. Bloated belly. Translucent skin peeling from perfect little fingers. Green-brown liquid pooled below the head and buttocks.
The baby was inside a bathroom vanity, wedged between the vanity’s back wall and a rusty drainpipe looping down from above. It lay in a fetal curl, head twisted, chin jutting skyward.
It was a girl. Shiny green missiles ricocheted from her body and everything around it.
For a moment I could only stare.
The wiggly-white eyes stared back, as though puzzled by their owner’s hopeless predicament.
My thoughts roamed to the baby’s last moments. Had she died in the darkness of the womb, victim of some heartless double-helix twist? Struggling for life, pressed to her mother’s sobbing chest? Or cold and alone, deliberately abandoned and unable to make herself heard?
How long does it take for a newborn to give up life?
A torrent of images rushed my brain. Gasping mouth. Flailing limbs. Trembling hands.
Anger and sorrow knotted my gut.
Easing the miniature corpse back into place, I drew a deep breath. My knee popped as I straightened and yanked a spiral from my pack.
Facts. Focus on facts.
The vanity top held a bar of soap, a grimy plastic cup, a badly chipped ceramic toothbrush holder, and a dead roach. The medicine cabinet yielded an aspirin bottle containing two pills, cotton swabs, nasal spray, decongestant tablets, razor blades, and a package of corn-remover adhesive pads. Not a single prescription medication.
Warm air moving through the open window fluttered the toilet paper hanging beside the commode. My eyes shifted that way. A box of tissue sat on the tank. A slimy brown oval rimmed the bowl.
I swept my gaze left.
Lank fabric draped the peeling window frame, a floral print long gone gray. The view through the dirt-crusted screen consisted of a Petro-Canada station and the backside of a dépanneur.
Since I entered the apartment, my mind had been offering up the word “yellow.” The mud-spattered stucco on the building’s exterior? The dreary mustard paint on the inside stairwell? The dingy maize carpet?
Whatever. The old gray cells kept harping. Yellow.
I fanned my face with my notebook. Already my hair was damp.
It was nine A.M., Monday, June 4. I’d been awakened at seven by a call from Pierre LaManche, chief of the medico-legal section at the Laboratoire de sciences judiciaires et de médecine légale in Montreal. LaManche had been roused by Jean-Claude Hubert, chief coroner of the province of Quebec. Hubert’s wake-up had come from an SQ cop named Louis Bédard.
According to LaManche, Caporal Bédard had reported the following:
At approximately two-forty A.M. Sunday, June 3, a twenty-seven-year-old female named Amy Roberts presented at the Hôpital Honoré-Mercier in Saint-Hyacinthe complaining of excessive vaginal bleeding. The ER attending, Dr. Arash Kutchemeshgi, noted that Roberts seemed disoriented. Observing the presence of placental remnants and enlargement of the uterus, he suspected she had recently given birth. When asked about pregnancy, labor, or an infant, Roberts was evasive. She carried no ID. Kutchemeshgi resolved to phone the local Sûreté du Québec post.
At approximately three-twenty A.M., a five-car pileup on Autoroute 20 sent seven ambulances to the Hôpital Honoré-Mercier ER department. By the time the blood cleared, Kutchemeshgi was too exhausted to remember the patient who might have delivered a baby. In any case, by then the patient was gone.
At approximately two-fifteen P.M., refreshed by four hours of sleep, Kutchemeshgi remembered Amy Roberts and phoned the SQ.
At approximately five-ten P.M., Caporal Bédard visited the address Kutchemeshgi had obtained from Roberts’s intake form. Getting no response to his knock, he left.
At approximately six-twenty P.M., Kutchemeshgi discussed Amy Roberts with ER nurse Rose Buchannan, who, like the doctor, was working a twenty-four-hour shift and had been present when Roberts arrived. Buchannan recalled that Roberts simply vanished without notifying staff; she also thought she remembered Roberts from a previous visit.
At approximately eight P.M., Kutchemeshgi did a records search and learned that Amy Roberts had come to the Hôpital Honoré-Mercier ER eleven months earlier complaining of vaginal bleeding. The examining physician had noted in her chart the possibility of a recent delivery but wrote nothing further.
Fearing a newborn was at risk, and feeling guilty about failing to follow through promptly on his intention to phone the authorities, Kutchemeshgi again contacted the SQ.
At approximately eleven P.M., Caporal Bédard returned to Roberts’s apartment. The windows were dark, and as before, no one came to the door. This time Bédard took a walk around the exterior of the building. Upon checking a Dumpster in back, he spotted a jumble of bloody towels.
Bédard requested a warrant and called the coroner. When the warrant was issued Monday morning, Hubert called LaManche. Anticipating the possibility of decomposed remains, LaManche called me.
On a beautiful June day, I stood in the bathroom of a seedy third-floor walk-up that hadn’t seen a paintbrush since 1953.
Behind me was a bedroom. A gouged and battered dresser occupied the south wall, one broken leg supported by an inverted frying pan. Its drawers were open and empty. A box spring and mattress sat on the floor, dingy linens surrounding them. A small closet held only hangers and old magazines.
Beyond the bedroom, through folding double doors—the left one hanging at an angle from its track—was a living room furnished in Salvation Army chic. Moth-eaten sofa. Cigarette-scarred coffee table. Ancient TV on a wobbly metal stand. Chrome and Formica table and chairs.
The room’s sole hint of architectural charm came from a shallow bay window facing the street. Below its sill, a built-in tripartite wooden bench ran to the floor.
A shotgun kitchen, entered from the living room, shared a wall with the bedroom. On peeking in earlier, I’d seen round-cornered appliances resembling those from my childhood. The counters were topped with cracked ceramic tile, the grout blackened by years of neglect. The sink was deep and rectangular, the farmhouse style now back in vogue.
A plastic bowl on the linoleum beside the refrigerator held a small amount of water. I wondered vaguely about a pet.
The whole flat measured maybe eight hundred square feet. A cloying odor crammed every inch, fetid and sour, like rotting grapefruit. Most of the stench came from spoiled garbage in a kitchen waste pail. Some came from the bathroom.
A cop was manning the apartment’s only door, open and crisscrossed with orange tape stamped with the SQ logo and the words Accès interdit—Sûreté du Québec. Info-Crime. The cop’s name tag said Tirone.
Tirone was in his early thirties, a strong guy gone to fat with straw-colored hair, iron-gray eyes, and apparently, a sensitive nose. Vicks VapoRub glistened on his upper lip.
LaManche stood beside the bay window talking to Gilles Pomier, an LSJML autopsy technician. Both looked grim and spoke in hushed tones.
I had no need to hear the conversation. As a forensic anthropologist, I’ve worked more death scenes than I care to count. My specialty is decomposed, burned, mummified, dismembered, and skeletal human remains.
I knew others were speeding our way. Service de l’identité judiciaire, Division des scènes de crime, Quebec’s version of CSI. Soon the place would be crawling with specialists intent on recording and collecting every fingerprint, skin cell, blood spatter, and eyelash present in the squalid little flat.
My eyes drifted back to the vanity. Again my gut clenched.
I knew what lay ahead for this baby who might have been. The assault on her person had only begun. She would become a case number, physical evidence to be scrutinized and assessed. Her delicate body would be weighed and measured. Her chest and skull would be entered, her brain and organs extracted and sliced and scoped. Her bones would be tapped for DNA. Her blood and vitreous fluids would be sampled for toxicology screening.
The dead are powerless, but those whose passing is suspected to be the result of wrongdoing by others suffer further indignities. Their deaths go on display as evidence transferred from lab to lab, from desk to desk. Crime scene technicians, forensic experts, police, attorneys, judges, jurors. I know such personal violation is necessary in the pursuit of justice. Still, I hate it. Even as I participate.
At least this victim would be spared the cruelties the criminal justice machine reserves for adult victims—the parading of their lives for public consumption. How much did she drink? What did she wear? Whom did she date? Wouldn’t happen here. This baby girl never had a life to put under the microscope. For her, there would be no first tooth, no junior prom, no questionable bustier.
I flipped a page in my spiral with one angry finger.
Rest easy, little one. I’ll watch over you.
I was jotting a note when an unexpected voice caught my attention. I turned. Through the cockeyed bedroom door, I saw a familiar figure.
Lean and long-legged. Strong jaw. Sandy hair. You get the picture.
For me, it’s a picture with a whole lot of history.
Lieutenant-détective Andrew Ryan, Section de crimes contre la personne, Sûreté du Québec.
Ryan is a homicide cop. Over the years, we’ve spent a lot of time together. In and out of the lab.
The out part was over. Didn’t mean the guy wasn’t still smoking hot.
Ryan had joined LaManche and Pomier.
Jamming my pen into the wire binding, I closed my spiral and walked to the living room.
Pomier greeted me. LaManche raised his hound-dog eyes but said nothing.
“Dr. Brennan.” Ryan was all business. Our MO, even in the good times. Especially in the good times.
“Detective.” I stripped off my gloves.
“So. Temperance.” LaManche is the only person on the planet who uses the formal version of my name. In his starched, proper French, it comes out rhyming with “France.” “How long has this little person been dead?”
LaManche has been a forensic pathologist for over forty years and has no need to query my opinion on postmortem interval. It’s a tactic he employs to make colleagues feel they are his equals. Few are.
“The first wave of flies probably arrived and oviposited within one to three hours of death. Hatching could have begun as early as twelve hours after the eggs were laid.”
“It’s pretty warm in that bathroom,” Pomier said.
“Twenty-nine Celsius. At night it would have been cooler.”
“So the maggots in the eyes, nose, and mouth suggest a minimum PMI of thirteen to fifteen hours.”
“Yes,” I said. “Though some fly species are inactive after dark. An entomologist should determine what types are present and their stage of development.”
Through the open window, I heard a siren wail in the distance.
“Rigor mortis is maximal,” I added, mostly for Ryan’s benefit. The other two knew that. “So that’s consistent.”
Rigor mortis refers to stiffening due to chemical changes in the musculature of a corpse. The condition is transient, beginning at approximately three hours, peaking at approximately twelve hours, and dissipating at approximately seventy-two hours after death.
LaManche nodded glumly, arms folded over his chest. “Placing possible time of death somewhere between six and nine o’clock last night.”
“The mother arrived at the hospital around two-forty yesterday morning,” Ryan said.
For a long moment no one spoke. The implication was too sad. The baby might have lived over fifteen hours after her birth.
Discarded in the cabinet? Without so much as a blanket or towel? Once more I pushed the anger aside.
“I’m finished,” I said to Pomier. “You can bag the body.”
He nodded but didn’t move away.
“Where’s the mother?” I asked Ryan.
“Appears she may have split. Bédard is running down the landlord and canvassing the neighbors.”
Outside, the siren grew louder.
“The closet and dresser are empty,” I said. “There are few personal items in the bathroom. No toothbrush, toothpaste, deodorant.”
“You’re assuming the heartless bitch bothered with the niceties of hygiene.”
I glanced at Pomier, surprised by the bitterness in his tone. Then I remembered. Pomier and his wife had been trying to start a family. Four months earlier she’d miscarried for the second time.
The siren screamed its arrival up the street and cut off. Doors slammed. Voices called out in French. Others answered. Boots clanged on the iron stairs leading to the first floor from the sidewalk.
Shortly, two men slipped under the crime scene tape. Uniform jumpsuits. I recognized both: Alex Gioretti and Jacques Demers.
Trailing Gioretti and Demers was an SQ corporal I assumed to be Bédard. His eyes were small and dark behind wire-rimmed glasses. His face was blotchy with excitement. Or exertion. I guessed his age to be mid-forties.
LaManche, Pomier, and I watched Ryan cross to the newcomers. Words were exchanged, then Gioretti and Demers began opening their kits and camera cases.
Face tense, LaManche shot a cuff and checked his watch.
“Busy day?” I asked.
“Five autopsies. Dr. Ayers is away.”
“If you prefer to get back to the lab, I’m happy to stay.”
“Perhaps that is best.”
In case more bodies are found. It didn’t need saying.
Experience told me it would be a long morning. When LaManche was gone, I glanced around for a place to settle.
Two days earlier I’d read an article on the diversity of fauna inhabiting couches. Head lice. Bedbugs. Fleas. Mites. The ratty sofa and its vermin held no appeal. I opted for the window bench.
Twenty minutes later, I’d finished jotting my observations. When I looked up, Demers was brushing black powder onto the kitchen stove. An intermittent flash told me Gioretti was shooting photos in the bathroom. Ryan and Bédard were nowhere to be seen.
I glanced out the window. Pomier was leaning against a tree, smoking. Ryan’s Jeep had joined my Mazda and the crime scene truck at the curb. So had two sedans. One had a CTV logo on its driver’s-side door. The other said Le Courrier de Saint-Hyacinthe.
The media were sniffing blood.
As I swiveled back, the plank under my bum wobbled slightly. Leaning close, I spotted a crack paralleling the window wall.
Did the middle section of the bench function as a storage cabinet? I pushed off and squatted to check underneath.
The front of the horizontal plank overhung the frame of the structure. Using my pen, I pushed up from below. The plank lifted and flopped back against the windowsill.
The smell of dust and mold floated from the dark interior.
Kathy Reichs’s first novel Déjà Dead was a #1 New York Timesbestseller and won the 1997 Ellis Award for Best First Novel. A Conspiracy of Bones is Kathy’s nineteenth entry in her series featuring forensic anthropologist Temperance Brennan. Kathy was also a producer of the hit Fox TV series, Bones, which is based on her work and her novels. Dr. Reichs is one of very few forensic anthropologists certified by the American Board of Forensic Anthropology. She served on the Board of Directors and as Vice President of both the American Academy of Forensic Sciences and the American Board of Forensic Anthropology, and as a member of the National Police Services Advisory Council in Canada. She divides her time between Charlotte, North Carolina, and Montreal, Québec. Visit Kathy at KathyReichs.com.